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— CH. 1 · THE BULL'S HEAD AND HUMAN BODY —

Minotaur

~4 min read · Ch. 1 of 7
7 sections
  • In the quiet palace of Knossos, a woman named Pasiphaë climbed into a hollow wooden cow crafted by the master craftsman Daedalus. She waited in silence as a snow-white bull approached from the sea, sent by Poseidon to punish King Minos for his broken vow. The union produced a child with the head and tail of a bull but the body of a man. This creature was called Asterion, or sometimes Asterius, sharing a name with Minos's foster-father. He grew large and ferocious, devouring humans because he had no natural source of nourishment. His existence marked him as an unnatural offspring, a grandchild of Helios who could not find peace in the world.

  • King Minos ordered the architect Daedalus to build a gigantic Labyrinth near his palace at Knossos to hold the growing monster. The structure contained over 1300 maze-like compartments filled with staircases and corridors that twisted endlessly through stone walls. Daedalus designed the complex to ensure the beast remained trapped while feeding on sacrificial victims. Every nine years, Athens sent fourteen young noble citizens to the center of this construction. Seven men and seven women were chosen by lot to face the creature inside the dark passages. Theseus later navigated these same winding paths using a thread given to him by Ariadne, the king's daughter.

  • A red-figure kylix found at Etruscan Vulci depicts Pasiphaë nursing her baby Minotaur in ancient Greece. Classical art typically showed the creature with a bull's head and tail attached to a human body. Roman poet Ovid described the being simply as part man and part bull without specifying which half was which. During the Middle Ages, several versions reversed the configuration to show a man's head and torso on a bull's body. This alternative tradition survived into the Renaissance and appeared in Dryden's translation of Virgil's Aeneid. Steele Savage illustrated Edith Hamilton's Mythology in 1942 with this reverse form still visible in some modern depictions.

  • In Canto 12 of Dante's Inferno, the poet and his guide Virgil encounter the beast among boulders dislodged on a slope. They prepare to enter the seventh circle of hell where men of blood dwell in eternal violence. The Minotaur serves as the first infernal guardian within the walls of Dis, guarding the entire zone of Violence. Virgil taunts the beast to distract him while reminding it that Theseus killed it with Ariadne's help. Giovanni Boccaccio wrote that the monster fed on those sent to die a cruel death inside the prison called the labyrinth. Dante Gabriel Rossetti compared the figure to all three sins of violence within the seventh circle.

  • Jorge Luis Borges published a short story titled The House of Asterion in which the Minotaur tells his own story from the monster's perspective. He describes living alone in the vast maze while waiting for visitors who would never return. The narrative shifts focus from heroism to isolation and loneliness experienced by the creature. Mark Z. Danielewski included numerous references to this work in his 2000 novel House of Leaves. A chapter titled The Minotaur opens with a quote from Borges and presents a sympathetic interpretation of the being. Mary Renault reinterpreted the Theseus myth in her 1958 book The King Must Die after excavations at Knossos revealed new historical details about Crete.

  • The ruins of Minos's palace at Knossos contain over 1300 rooms that some archaeologists once suggested were the source of the Labyrinth myth. Science journalist Matt Kaplan theorized that early descriptions of the minotaur focused on its cruel bellowing made from underground passages. Extensive tectonic activity in the region may have inspired the sound of the beast roaring beneath the earth. Homer described Daedalus constructing a ceremonial dancing ground for Ariadne but did not associate it with the term labyrinth. Coins minted at Knossos from the fifth century showed labyrinth patterns encircling a goddess's head crowned with grain or stars.

  • Dungeons & Dragons translated the singular creature into a species of opponents and playable characters in role-playing games. Assassin's Creed Odyssey released in 2018 featured the Minotaur as a legendary creature to be defeated in a boss fight. Fate/Grand Order included Asterios as a summonable character voiced by Kohsuke Toriumi. Hades, a roguelike game released in 2020, portrayed him as brother-in-arms with Theseus battling Zagreus in Elysium. An animated film titled Icarus released in 2022 depicted the Minotaur sympathetically as a gentle creature who could communicate telepathically. The horror adaptation Minotaur starring Tom Hardy appeared on DVD through Lions Gate in 2006.

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Common questions

Who created the hollow wooden cow that Pasiphaë used to conceive the Minotaur?

The master craftsman Daedalus built the hollow wooden cow. This structure allowed Pasiphaë to approach the snow-white bull sent by Poseidon.

When did Athens begin sending fourteen young citizens to the Labyrinth of Knossos?

Every nine years Athens sent fourteen noble citizens to the center of the construction. Seven men and seven women were chosen by lot to face the creature inside the dark passages.

What is the physical appearance of the Minotaur according to classical art in ancient Greece?

Classical art typically showed the creature with a bull's head and tail attached to a human body. Roman poet Ovid described the being simply as part man and part bull without specifying which half was which.

Where does Dante place the Minotaur within his Divine Comedy?

Dante places the beast among boulders dislodged on a slope in Canto 12 of Inferno. The Minotaur serves as the first infernal guardian within the walls of Dis guarding the entire zone of Violence.

Which author wrote The House of Asterion where the Minotaur tells his own story from the monster's perspective?

Jorge Luis Borges published a short story titled The House of Asterion in which the Minotaur tells his own story from the monster's perspective. He describes living alone in the vast maze while waiting for visitors who would never return.