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— CH. 1 · ETYMOLOGY AND COINAGE —

Cosplay

~3 min read · Ch. 1 of 7
7 sections
  • In June 1983, Nobuyuki Takahashi wrote an article for the Japanese magazine Comic Com. He introduced a new word to describe the activity of wearing costumes at conventions. The term was cosplay, a blend of costume and play. Takahashi chose this phrase over existing translations like masquerade because it felt less old-fashioned. It reflected a common Japanese method of abbreviation where the first two sounds of each word form a compound. Costume became kosu and play became pure. This linguistic construction created a unique identity for the hobby in Japan.

  • The practice began with Morojo's futuristicostumes at the 1st World Science Fiction Convention in New York City on the 17th of August 1939. Forrest J Ackerman and Myrtle R. Douglas wore green capes and breeches based on pulp magazine artwork by Frank R. Paul. They were the only attendees dressed up that year. By 1940, the tradition grew when the 2nd Worldcon held an unofficial masquerade in Douglas' room. David Kyle won first place wearing a Ming the Merciless costume created by Leslie Perri. Robert A. W. Lowndes took second place with a Bar Senestro outfit from Austin Hall's novel The Blind Spot. These early events established the convention as a space for costumed role-playing.

  • Comic Market, known as Comiket, became the single largest event featuring cosplay in Japan during summer and winter. It attracts hundreds of thousands of fans to the roof of the exhibition center. In North America, San Diego Comic-Con and New York Comic Con draw the highest attendance numbers. Europe hosts its largest gathering at Japan Expo in Paris. The first World Cosplay Summit occurred on the 12th of October 2003, at the Rose Court Hotel in Nagoya. Five cosplayers from Germany, France, and Italy competed in this inaugural international contest. The competition expanded to include teams from forty countries by the time the championship began in 2005.

  • Japanese manufacturers reported profits of 35 billion yen in 2008 selling packaged costumes online and at conventions. Many creators educate themselves in textiles, sculpture, fiberglass, and woodworking to replicate difficult details. They use liquid latex, body paint, and contact lenses that enlarge pupils to match anime characters. Some shave off their eyebrows or apply temporary tattoos to achieve specific looks. A 2014 survey showed approximately 75% of attendees at Comiket were female. These technical choices allow cosplayers to overcome bodily limits and accurately represent fictional forms through physical embodiment.

  • Rochelle Keyhan, Erin Filson, and Anna Kegler started the Cosplay Is Not Consent movement in 2013. New York Comic Con placed large signs at its entrance in 2014 reminding attendees to ask permission before taking photos. Harassment included verbal abuse, touching, and groping directed at both male and female participants. Male crossplayers often faced homophobic comments and unwanted physical contact. The movement gained momentum as traditional mainstream news media like The Mercury News reported on the issue. This shift brought awareness of sexual harassment to those outside the community and established new rules for respectful interaction at events.

  • Yaya Han emerged as a well-recognized figure within and outside cosplay circuits during the 2000s. Jessica Nigri used her recognition to gain voice acting opportunities and produce a documentary on Rooster Teeth. Liz Katz turned her fanbase into a successful business venture by funding her own work. Social media platforms like Patreon and OnlyFans allowed models to turn cosplay into full-time careers. Japan's entertainment industry has hosted professional cosplayers since the rise of Comiket and Tokyo Game Show. Some models became brand ambassadors for companies like Cospa while others modeled for print magazines such as Cosmode.

  • Youth groups in Myanmar protested after the 2021 coup d'état by wearing cosplay costumes and holding signboards that broke with traditional protest messages. They wore skirts and wedding dresses to grab attention from domestic and international press media. Women dressed as characters from The Handmaid's Tale to protest bodily restrictions in the United States. These actions utilized fictional characters to convey political messages about social change. The practice demonstrated how costuming could serve as satire for important people and events beyond mere entertainment or hobbyist display.

Common questions

Who coined the term cosplay and when was it introduced?

Nobuyuki Takahashi wrote an article for the Japanese magazine Comic Com in June 1983 to introduce the new word. He selected this phrase over existing translations like masquerade because it felt less old-fashioned.

When did the practice of wearing costumes at conventions begin?

The practice began with Morojo's futuristicostumes at the 1st World Science Fiction Convention on the 17th of August 1939. Forrest J Ackerman and Myrtle R. Douglas wore green capes and breeches based on pulp magazine artwork by Frank R. Paul that year.

Where is the largest event featuring cosplay held in Japan?

Comic Market known as Comiket became the single largest event featuring cosplay in Japan during summer and winter. It attracts hundreds of thousands of fans to the roof of the exhibition center.

What happened at the first World Cosplay Summit in 2003?

The first World Cosplay Summit occurred on the 12th of October 2003 at the Rose Court Hotel in Nagoya. Five cosplayers from Germany France and Italy competed in this inaugural international contest before expanding to include teams from forty countries by 2005.

Why was the Cosplay Is Not Consent movement started in 2013?

Rochelle Keyhan Erin Filson and Anna Kegler started the Cosplay Is Not Consent movement in 2013 to address harassment including verbal abuse touching and groping directed at participants. New York Comic Con placed large signs at its entrance in 2014 reminding attendees to ask permission before taking photos.