Gavrila Derzhavin
Gavrila Derzhavin was born on the 14th of July 1743 into a family that had once held profitable estates along the Myosha River but had lost nearly everything by the time he arrived. His ancestors traced their lineage to a 15th-century Tatar nobleman named Morza Bagrim, who converted to Christianity, became a vassal of Grand Prince Vasily II of Moscow, and received lands for his service. From Bagrim descended several noble families, one of whose members earned the nickname Derzhava, meaning "orb" or "power" in Russian, and gave the family its name.
By the time Derzhavin's father Roman was born in 1706, that once-proud heritage had dwindled to a few scattered parcels of land occupied by few peasants. Derzhavin himself was so sickly as an infant that his parents followed an ancient ceremony called perepekaniye rebyonka, placing him on a bread peel and passing him in and out of an oven three times. He survived. He rose from private soldier to Minister of Justice. He wrote odes that were translated across Europe and lyrics for Russia's first national anthem. And he did it all before the poet the world would call greatest, Alexander Pushkin, had written a single line. What kind of man travels that distance? What did it cost him? And why, despite all of it, did his literary legacy remain so difficult to inherit?
Roman Derzhavin married Fyokla Andreyevna Gorina in 1742, at age 36, and she was a widowed distant relative who also held only scattered estates. Those estates, far from being a source of security, were the site of constant lawsuits, feuds, and sometimes outright violence with neighbors. His mother was described as essentially illiterate, yet she began educating young Gavrila at age 3, relying on local churchmen to teach him to read and write.
When Gavrila was 8, the family was sent to Orenburg, near present-day Kazakhstan, where the Russian Empire was using convicts to construct the city. A German named Joseph Rose ran a coeducational school there for the children of nobility. Rose was, by the account of the source, both a criminal and a man with no formal education. He taught German, which was considered the most desirable language among the enlightened class in Russia at the time, and not much else.
The family returned to Kazan after two years. In the fall of 1753, Roman Derzhavin traveled to Moscow to formally retire from the military, intending afterward to register his son in Saint Petersburg for future enlistment. He ran out of money before he could finish the journey. The family returned to Kazan once more, and Roman died there that same year. Gavrila inherited half the land in Sokury, along with other estates in Laishevsky, but these provided almost no income. Neighbors flooded or simply seized parts of the land. His mother, a penniless widow without powerful relatives, could get no redress in the courts. Derzhavin later wrote that his "mother's suffering from injustice remained eternally etched on his heart."
In 1758, a new grammar school opened in Kazan and spared his mother the expense of sending him to Saint Petersburg. The school taught Latin, French, German, and arithmetic, along with dancing, fencing, and music, though it had no textbooks and the instruction quality was poor. Derzhavin excelled at geometry. That skill was meant to send him to the corps of engineers in Saint Petersburg, but a bureaucratic error changed everything: he was registered instead as a private in the Preobrazhensky Regiment, the regiment that served as bodyguard to the royal family.
From his entry into the Preobrazhensky Regiment, Derzhavin climbed a ladder that very few men of his background could even see. His first significant recognition came during Pugachev's Rebellion, when he impressed his commanders enough to begin a transition from military to civil service.
The civil career that followed was remarkable in its scope. He served as governor of Olonets in 1784, then governor of Tambov in 1785. By 1791 he had become personal secretary to Empress Catherine the Great. He went on to serve as President of the College of Commerce in 1794, and he reached the peak of his official career as Minister of Justice in 1802.
In 1800, Emperor Paul I asked Derzhavin to investigate recent famines in Mogilev Governorate. Derzhavin's written response, a document he called the Opinion, attributed the famines to what he described as the "mercenary trades" of Jews, who he claimed exploited peasants through leaseholding of estates and distilling of alcohol, and to the indifference of local magnates. His proposed remedies were sweeping: restrict the freedoms of those magnates, abolish the Jewish Qahal, end the autonomy of the Russian Jewish community, and resettle Russian Jews in colonies along the Black Sea. The Opinion carried weight well beyond Derzhavin's own tenure. It became an influential source during the early reign of Alexander I, who implemented several of its suggested reforms in the 1804 Statute Concerning the Organization of the Jews.
Derzhavin was dismissed from his post in 1803. He spent much of the remainder of his life at his country estate at Zvanka, near Novgorod, writing idylls and anacreontic verse. At his house in Saint Petersburg, he hosted monthly meetings of a conservative literary society called the Lovers of the Russian Word.
Derzhavin is remembered above all for his odes, written in honor of the Empress and members of the court. What sets them apart from the classical tradition they nominally belong to is a refusal to stay inside genre boundaries. He would load a formal ode with elegiac passages, comic asides, or outright satire, treating the form as a vessel he could fill however he chose.
In his grand ode to the Empress, he includes a reference to searching for fleas in his wife's hair. He compares his own poetry to lemonade. These are not accidental details. Derzhavin took explicit pleasure in the carefully chosen particular: a color of wallpaper in his bedroom, a poetic inventory of his daily meal. Where his contemporaries dealt in abstractions, he catalogued the physical world around him.
He held a specific theory about the two languages he worked with most closely. French, he believed, was a language of harmony. Russian was a language of conflict. He relished harmonious alliterations when they served him, but he also deliberately introduced cacophonous sounds for effect, using discord as a tool.
His major odes mark a career arc that is itself worth tracing. "On the Death of Prince Meschersky," written in 1779, is described as impeccable. The "Ode to Felica" followed in 1782, a playful work. Then came "God" in 1785, a lofty piece that was translated into many European languages. "Waterfall" appeared in 1794, written on the occasion of the death of Prince Potemkin. "Bullfinch" in 1800 was a poignant elegy for his friend Suvorov. Derzhavin also wrote the lyrics for "Let the thunder of victory sound!" which served as the first national anthem of the Russian Empire. The critic D. S. Mirsky later called Derzhavin's poetry "a universe of amazing richness."
Mirsky's praise for Derzhavin came paired with a sharp reservation: Derzhavin "did nothing to raise the level of literary taste or to improve the literary language, and as for his poetical flights, it was obviously impossible to follow him into those giddy spheres." The great poet, in other words, was of no use as a master or an example. His work was so individual, so rooted in his own sensibility and his own peculiar relationship to Russian and French, that it offered later writers almost nowhere to stand.
Yet the influence was not entirely absent. Nikolai Nekrasov professed to follow Derzhavin rather than Pushkin, a significant statement given Pushkin's place in Russian letters. Derzhavin's line of broken rhythms found a continuation in the 20th century through Marina Tsvetaeva, whose poetry is similarly resistant to easy category.
Although his works are traditionally classed as literary classicism, his best verse carries antitheses and conflicting sounds that D. S. Mirsky and others compared to John Donne and the metaphysical poets of England. That comparison reaches across languages and centuries, placing Derzhavin in a tradition that prizes intellectual tension over smooth surface.
He died on the 20th of July 1816 and was buried at the Khutyn Monastery near Zvanka. The Soviet government later reburied him in the Novgorod Kremlin, and he was eventually reinterred at Khutyn. In 1995, Tambov State University, in the city where he once served as governor, was named after him. The Laishevsky District near Kazan, where he may have been born and where his family once held land, is informally known as the Derzhavinsky District to this day.
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Common questions
Who was Gavrila Derzhavin and why is he significant in Russian literature?
Gavrila Derzhavin, born on the 14th of July 1743, was one of the most highly esteemed Russian poets before Alexander Pushkin. He was also a statesman who rose to become Minister of Justice under Catherine the Great. His odes, including "God" (1785), were translated into many European languages, and he wrote the lyrics for Russia's first national anthem, "Let the thunder of victory sound!"
What were Gavrila Derzhavin's most famous odes?
Derzhavin's major odes include "On the Death of Prince Meschersky" (1779), the "Ode to Felica" (1782), "God" (1785), "Waterfall" (1794), and "Bullfinch" (1800), a poignant elegy on the death of his friend Suvorov. "God" was translated into many European languages and is considered among his loftiest works.
What political offices did Gavrila Derzhavin hold?
Derzhavin served as governor of Olonets in 1784 and governor of Tambov in 1785. He became personal secretary to Empress Catherine the Great in 1791, then President of the College of Commerce in 1794, and finally Minister of Justice in 1802, from which he was dismissed in 1803.
What is the Derzhavin Opinion and what impact did it have?
In 1800, Derzhavin wrote the Opinion in response to a request by Emperor Paul I to investigate famines in Mogilev Governorate. It proposed restricting the freedoms of local magnates, abolishing the Jewish Qahal, and resettling Russian Jews in colonies along the Black Sea. The Opinion became an influential document during the early reign of Alexander I, who implemented several of its suggested reforms in the 1804 Statute Concerning the Organization of the Jews.
How did Gavrila Derzhavin influence later Russian poets?
Nikolai Nekrasov professed to follow Derzhavin rather than Pushkin. Derzhavin's line of broken rhythms was continued in the 20th century by Marina Tsvetaeva. The critic D. S. Mirsky described his poetry as "a universe of amazing richness," though he also noted that Derzhavin was of no use as a master because his style was impossible to follow directly.
Where was Gavrila Derzhavin born and buried?
Derzhavin was born in the Kazan Governorate, and his exact birthplace is disputed between the city of Kazan and estates in Sokury or Karmachi in Laishevsky County. He died on the 20th of July 1816 and was originally buried at the Khutyn Monastery near Zvanka. He was reburied by the Soviets in the Novgorod Kremlin and later reinterred at Khutyn.
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9 references cited across the entry
- 2bookRussian Nationalism from an Interdisciplinary Perspective: Imagining RussiaDaniel Rancour-Laferriere — E. Mellen Press — 2000
- 3bookDerzhavin: A BiographyVladislav Khodasevich — University of Wisconsin Press — 2007
- 4newsСокуры: красота на земле4 July 2012
- 5newsТак где же родился Гавриил Державин? Республика ТатарстанYuri Frolov — 8 July 2003
- 6webРодина Г.Р. ДержавинаVisit-Tatarstan.com
- 7bookGender and Sexuality in Russian CivilisationPeter I. Barta — Routledge — 2013
- 8bookRussia Gathers Her Jews: The Origins of the "Jewish Question" in Russia, 1772-1825John Klier — Northern Illinois University Press — 1986
- 9webHistory