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Diane Keaton

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— CH. 1 · INTRODUCTION —

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Diane Keaton

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  • Diane Keaton was born Diane Hall, but she gave up that surname before her career took off, because another actress was already registered under it. She chose her mother's maiden name instead. The new name would be credited in films across more than five decades. Keaton was an actress who resisted easy labels. Critics called her kooky, brilliant, awkward and glamorous, sometimes within a single review. How did a young woman from Southern California become a leading figure of New Hollywood? Why did audiences keep choosing her over her contemporaries, in comedy and in drama alike? And what drew her toward cameras, old buildings and deserted hotel ballrooms once she stepped away from the film set?

  • Diane Hall grew up in Los Angeles as the eldest of four children. Her mother, Dorothy, was a homemaker and amateur photographer. Her father, Jack, worked as a real estate broker and civil engineer. Dorothy once won the Mrs. Los Angeles pageant for homemakers. Keaton later said the theatricality of that contest gave her the first impulse to act, and eventually the wish to work on stage. She also named Katharine Hepburn as an inspiration, because Hepburn admired and played strong, independent women.

    Santa Ana High School, class of 1963, is where she joined the singing and acting clubs and played Blanche DuBois in A Streetcar Named Desire. She went on to study acting at Santa Ana College and then at Orange Coast College. After a year she dropped out and moved to Manhattan to chase a career in entertainment. She joined the Actors' Equity Association, and for a short time she also sang in nightclubs. She would revisit that act on screen in Annie Hall, in And So It Goes, and in a cameo in Radio Days.

    In New York she studied at the Neighborhood Playhouse in Midtown Manhattan, beginning with the Meisner technique. Sanford Meisner, a New York stage actor, coach and director, had developed it in the 1930s after belonging to The Group Theater. It is an ensemble method, and Keaton described her own work in those terms. She said she was "only as good as the person you're acting with." Jack Nicholson noticed another habit. He said, "She approaches a script sort of like a play in that she has the entire script memorized before you start doing the movie, which I don't know any other actors doing that."

    In 1968 she became an understudy for the part of Sheila in the original Broadway production of Hair. The cast performed nude at the end of Act I. Nudity was optional, and those who chose it received a $50 bonus. Keaton refused to disrobe, and she gained some notoriety for it. After nine months in the show she auditioned for Woody Allen's production of Play It Again, Sam. She was nearly passed over for being too tall. At 5 ft 8 in, she stood 2 in above Allen. She won the part anyway and earned a Tony Award nomination for Best Featured Actress in a Play. She played Linda Christie at the Broadhurst Theatre, and the show would soon follow her to the screen.

  • In 1970 Diane Keaton appeared in a commercial for a deodorant called Hour After Hour. That same year she made her film debut in Lovers and Other Strangers. She also took guest roles on Love, American Style, Night Gallery and Mannix.

    Francis Ford Coppola had noticed her in that debut. When he cast her as Kay Adams in The Godfather in 1972, he wanted the eccentricity she was known for. Keaton said that at the time she was commonly called "the kooky actress" of the film industry. Kay was the girlfriend and eventual wife of Michael Corleone, played by Al Pacino. Keaton said her performance drew loosely on her own experience of making the film. She described both as "the woman in a world of men."

    The Godfather was the highest-grossing film of its year and won the Academy Award for Best Picture. Keaton returned for The Godfather Part II in 1974, though not eagerly. She recalled, "At first, I was skeptical about playing Kay again in the Godfather sequel. But when I read the script, the character seemed much more substantial than in the first film." In that film Kay grows more embittered about her husband's criminal empire.

    The exposure did not win everyone over. Time wrote that Keaton was "invisible in The Godfather and pallid in The Godfather Part II." Empire magazine took the opposite view. It said she "proves the quiet lynchpin which is no mean feat in the necessarily male dominated films." Keaton played Kay a third time in 1990, in The Godfather Part III, which is set twenty years after the end of Part II.

  • Woody Allen credited Keaton as his muse during his early film career. She appeared in eight of his films, starting with the screen version of Play It Again, Sam in 1972, directed by Herbert Ross. Sleeper followed in 1973 and Love and Death in 1975. These comedies established her as a comic actress. She also played eccentric characters in his dramas Interiors and Manhattan.

    Annie Hall, released in 1977, brought Keaton the Academy Award for Best Actress. Allen wrote it with Marshall Brickman and directed it. Many viewers believed it was an autobiographical look at his relationship with Keaton. Allen based the title character loosely on her. "Annie" was her nickname, and "Hall" was her original surname. He wrote many of her mannerisms and her self-deprecating humor into the role. Keaton said he created an "idealized version" of herself. Director Nancy Meyers once claimed, "Diane's the most self-deprecating person alive." On screen, Keaton and Allen played a New York couple who kept breaking up and getting back together.

    CNN later summed up the performance as "awkward, self-deprecating, speaking in endearing little whirlwinds of semi-logic." Allen's own phrase was "nervous breakdown in slow motion." Critic Molly Haskell wrote that Keaton "put the finishing touches on a type, the anti-goddess." The film also won Best Picture. In 2006, Premiere magazine ranked the performance 60th on its list of the 100 greatest performances of all time. Entertainment Weekly placed it 7th among the 25 greatest Best Actress winners.

    Annie Hall's wardrobe of neckties, vests, baggy pants and fedora hats came mostly from vintage men's clothing. Ruth Morley designed the film's costumes, but a small amount of the clothing belonged to Keaton herself. She had been known for a tomboyish style for years. Soon after the film's release, men's clothing and pantsuits became popular attire for women. Keaton favored men's vintage pieces and usually appeared in public wearing gloves and conservative attire. A 2005 profile in the San Francisco Chronicle called her "easy to find. Look for the only woman in sight dressed in a turtleneck. On a 90-degree afternoon in Pasadena."

  • On the 26th of September 1977, Time magazine put Diane Keaton on its cover, in a photograph by Douglas Kirkland. The story called her "the funniest woman now working in films." That same year she left light comedy behind to play Theresa Dunn in Looking for Mr. Goodbar. Richard Brooks wrote and directed it, adapting Judith Rossner's novel. Theresa is a Catholic schoolteacher for deaf children who lives a double life, spending her nights in singles bars. Keaton became interested after seeing the part as a "psychological case history."

    The same Time issue used her casting to criticize the narrow roles open to women. It wrote that "A male actor can fly a plane, fight a war, shoot a badman." Then it added, "Men are presumed to be interesting." Of women it said, "Women are presumed to be dull." Critic Andrew Sarris, after seeing the film, called Keaton "clearly the most dynamic woman star in pictures."

    Warren Beatty had been developing Reds since the 1960s, with research and interviews under way by the early 1970s. Filming began in 1979. Keaton played Louise Bryant, a journalist and feminist who leaves her husband to work with the radical journalist John Reed, played by Beatty. Bryant later enters Russia to find him as he chronicles the Russian Civil War. In Vanity Fair in 2006, Keaton called the character "the everyman of that piece." Assistant director Simon Relph said it was one of her hardest roles and that "she almost got broken."

    The reviews were glowing. The New York Times called her "nothing less than splendid as Louise Bryant." Roger Ebert wrote that she was "a particular surprise." The role earned her a second Academy Award nomination for Best Actress.

    Shoot the Moon, in 1982, paired her with Albert Finney. They played Faith and George Dunlap, whose deteriorating marriage and separation devastate their four children. Pauline Kael of The New Yorker called the film "perhaps the most revealing American movie of the era." She said Keaton "may be a star without vanity." David Denby of New York magazine wrote that Keaton had never before "dug down and found this much pain." The performance brought a second consecutive Golden Globe nomination for Best Actress in a drama.

  • The Little Drummer Girl, in 1984, was Keaton's first thriller, and it failed with critics and audiences alike. The New Republic wrote that the picture collapsed in tatters around her and called her "so feeble, so inappropriate." The same year, Mrs. Soffel won her better reviews. It tells the true story of a prison warden's wife who falls in love with a convicted murderer and arranges his escape. Crimes of the Heart followed in 1986, with Jessica Lange and Sissy Spacek, adapted from Beth Henley's Pulitzer Prize-winning play. Rita Kempley of The Washington Post praised how Keaton moved from "New York neurotic to southern eccentric."

    Baby Boom, in 1987, began four collaborations with the writer-producer Nancy Meyers. Keaton played a Manhattan career woman suddenly left to care for a toddler. Pauline Kael called it "a glorious comedy performance." The Good Mother in 1988 then flopped. Keaton herself said the film was "a Big Failure. Like, BIG failure." The Lemon Sisters, a comedy-drama she starred in and produced, was shelved for a year after it was finished.

    Father of the Bride, in 1991, put her opposite Steve Martin. She almost missed the part, because The Good Mother had strained her relationship with Walt Disney Pictures, the studio behind both films. It became her first major hit after four years of commercial disappointments. She returned for the 1995 sequel as a woman who becomes pregnant in middle age at the same time as her daughter. The San Francisco Examiner compared her again to Katharine Hepburn, saying she had "somehow become Katharine Hepburn with a deep maternal instinct."

    Manhattan Murder Mystery, in 1993, reunited her with Allen. It was her first major role in one of his films since Manhattan in 1979. The part was meant for Mia Farrow, who was dropped after she and Allen broke up. Keaton earned a Golden Globe nomination for Best Actress in a comedy or musical.

    The First Wives Club, in 1996, cast her with Goldie Hawn and Bette Midler as three women divorced in favor of younger wives. Keaton said making it "saved her life." It grossed US$105 million at the North American box office and gained a cult following among middle-aged women. The three stars received the Women in Film Crystal Award in 1997. That same year as the comedy, Keaton played Bessie, a woman with leukemia, in Marvin's Room. Meryl Streep played her estranged sister, Lee, and Leonardo DiCaprio played Lee's rebellious son. The role earned Keaton her third Academy Award nomination.

    Keaton was also directing. In 1987 she directed and edited Heaven, a documentary about the possibility of an afterlife. She explained, "I was primarily interested in religion because I wanted to go to heaven." Reaction was mixed, and The New York Times likened it to "a conceit imposed on its subjects." Over the next four years she directed music videos, including Belinda Carlisle's chart-topping "Heaven Is a Place on Earth." She also directed two television films starring Patricia Arquette and episodes of China Beach and Twin Peaks. Her first theatrically released narrative film, Unstrung Heroes, came in 1995. It was adapted from Franz Lidz's memoir, but Keaton moved the setting to the Southern California of her own childhood. In 2000 she directed Hanging Up, even though in a 1996 interview she had said she would never direct herself in a film.

    Town & Country, in 2001, reunited her with Beatty and became a fiasco. Its estimated budget was $90 million, and it grossed only $7 million in North America. Peter Travers of Rolling Stone said it was "less deserving of a review than it is an obituary." The recovery came in 2003 with Something's Gotta Give, directed by Meyers and co-starring Jack Nicholson. Meyers recalled that studios passed because "no one wanted to see people of a certain age be sexy." Keaton asked, "why shouldn't they fall in love?" The film grossed $125 million in North America and earned Keaton her fourth Academy Award nomination.

    Finding Dory, in 2016, gave her a voice role as the mother of the amnesiac fish Dory. It grossed over $1 billion worldwide, the second Pixar film to pass that mark after Toy Story 3. In 1994 she had played Amelia Earhart in a TNT film that earned nominations for a Primetime Emmy, a Golden Globe and a Screen Actors Guild Award. In 2016 she played a nun in the HBO series The Young Pope, opposite Jude Law. Book Club, in 2018, reunited her with Jane Fonda, Candice Bergen and Mary Steenburgen, and grossed over $100 million worldwide. The 2023 sequel earned only about a third as much. Her final appearance was in Summer Camp, in 2024, written and directed by Castille Landon, with Kathy Bates and Alfre Woodard.

  • Rolling Stone once asked Keaton to take photographs for the magazine. She realized what truly interested her was "these lobbies, and these strange ballrooms in these old hotels." The places were deserted, and she said she could "just sneak in anytime and nobody cared." Photography had been a hobby since her teens, a passion she picked up from her mother. Her hotel pictures were published as the book Reservations in 1980. She went on to edit collections of vintage photography, including Still Life, with Marvin Heiferman, a book of clown paintings, and a volume on California's Spanish-Colonial-style houses. In 2022 she published her own pictures in SAVED: My Picture World.

    The Ambassador Hotel in Los Angeles, which appears in Reservations, was the site where Robert F. Kennedy was assassinated. Keaton joined a failed campaign to save it. Through the Los Angeles Conservancy she helped restore historic buildings, among them the Ennis House in the Hollywood Hills, designed by Frank Lloyd Wright. She loved Spanish Colonial Revival architecture and worked as a real estate developer, renovating and reselling mansions in Southern California. In 2003 Madonna bought a $6.5 million Beverly Hills mansion from her. In 2022 she launched a textile collection of over 50 fabrics with S. Harris, called Elements by Diane Keaton. In 2024 she released a home collection of over 100 pieces with Hudson Grace.

    Keaton also produced. In 2003 she produced Gus Van Sant's Elephant, a drama about a school shooting. She explained, "It really makes me think about my responsibilities as an adult to try and understand what's going on with young people." In 1999 she narrated "If I Get Out Alive," a public radio documentary about young people in the adult correctional system. It won a First Place National Headliner Award and a Casey Medal for Meritorious Journalism.

    Keaton said she had "a lifelong ambition to be a singer." Her first record was the cast recording of Hair in 1971. In 1977 she began recording a solo album, but it never materialized. Her first solo single, the Christmas song "First Christmas," finally arrived in November 2024 on Duva Music. It was written by Carole Bayer Sager and Jonas Myrin.

    In November 2011 Random House published her memoir, Then Again. Much of it drew on her mother's private journals. One line from them reads, "At times, she's so basic, at others so wise, it frightens me." In 2012 her audiobook recording of Joan Didion's Slouching Towards Bethlehem earned a 2013 Audie Award nomination.

  • Woody Allen and Keaton became a couple after a dinner that followed a late-night rehearsal of Play It Again, Sam in 1969. Her sense of humor attracted him. They lived together briefly during the production. By the time the film came out in 1972, their arrangement had become more informal. Keaton said Allen remained one of her closest friends. In 2017 she said, "He is so hilarious and I just adored him, I really did."

    Al Pacino was another partner. Their on-again, off-again relationship ended after the filming of The Godfather Part III. In 2017 Keaton recalled, "I was mad for him. Charming, hilarious, a nonstop talker." By 1979 she was also dating Warren Beatty. Tabloids followed Beatty, and Keaton was pulled in, to her bewilderment. In 1985 Vanity Fair called her "the most reclusive star since Garbo." The relationship ended shortly after Reds wrapped, after financial and scheduling troubles. She stayed friends with Beatty.

    In her fifties, Keaton adopted a daughter in 1996 and a son in 2001. She said, "Motherhood has completely changed me. It's just about like the most completely humbling experience that I've ever had." She never married. In 2021 she said her mother "chose family over her dreams" and that this was why "I didn't want to give up my independence."

    The Film Society of Lincoln Center gave Keaton its Gala Tribute in 2007. In 2017 the board of directors of the American Film Institute chose her for its Life Achievement Award, and Woody Allen presented it. Allen once said that, with the exception of Judy Holliday, she was "the finest screen comedienne we've ever seen." He added, "It's never line comedy with her. It's all character comedy." Peter Rainer wrote in New York magazine, "Nobody can be grave and goofy all at once like Diane Keaton." Scholar Deborah C. Mitchell saw her trademark as a woman who was "a paradox of self-doubt and assurance."

    Keaton died on the 11th of October 2025 at Saint John's Health Center in Santa Monica, California, at age 79. Her health had declined in the preceding months, though she kept her condition private. Her death certificate listed bacterial pneumonia as the cause, and no autopsy was performed. Allen wrote in The Free Press that she was "unlike anyone the planet has experienced or is likely to ever see again." Nancy Meyers wrote, "we have lost a giant." Francis Ford Coppola, Jane Fonda, Steve Martin and Bette Midler were among the many who paid tribute. Pacino wrote that Keaton "brought me happiness." His message ended with two short lines: "She could fly," and "in my heart, she always will."

Updated

Common questions

When was Diane Keaton born and when did she die?

Diane Keaton was born on the 5th of January 1946 in Los Angeles. She died on the 11th of October 2025 at Saint John's Health Center in Santa Monica, California, at age 79, and her death certificate listed bacterial pneumonia as the cause.

Which Diane Keaton film won her the Academy Award for Best Actress?

Diane Keaton won the Academy Award for Best Actress for Annie Hall, released in 1977. Woody Allen directed the film and wrote it with Marshall Brickman, and it also won Best Picture.

Why did Diane Keaton change her name from Diane Hall?

Diane Keaton changed her surname because another actress was already registered under the name Diane Hall. After joining the Actors' Equity Association, she took Keaton, her mother's maiden name.

How many films did Diane Keaton make with Woody Allen?

Diane Keaton appeared in eight of Woody Allen's films. They include Play It Again, Sam, Sleeper, Love and Death, Annie Hall, Interiors, Manhattan and Manhattan Murder Mystery.

What role did Diane Keaton play in The Godfather?

Diane Keaton played Kay Adams, the girlfriend and later wife of Michael Corleone, in Francis Ford Coppola's The Godfather in 1972. She reprised the role in The Godfather Part II in 1974 and The Godfather Part III in 1990.

For which films was Diane Keaton nominated for an Academy Award?

Besides her win for Annie Hall, Diane Keaton received Academy Award nominations for Reds in 1981, Marvin's Room in 1996 and Something's Gotta Give in 2003.

What is Diane Keaton's memoir called?

Diane Keaton's memoir is called Then Again, published by Random House in November 2011. Much of it drew on her mother's private journals.

All sources

219 references cited across the entry

  1. 1Certificate of deathLos Angeles County Department of Health Services
  2. 2NewsThen Again: A Memoir by Diane Keaton – reviewPhilip French — November 20, 2011
  3. 5MagazineDiane Keaton: The Next HepburnBen Fong-Torres — June 30, 1977
  4. 9Stated in Then Again, by Diane Keaton, 2011
  5. 12Diane Keaton interviewWHYY Philadelphia — January 1, 1997
  6. 13Nancy Griffin. "American Original" More Magazine. March 2004.
  7. 14Santa Ana High School Yearbook, The Ariel 1963
  8. 16MagazineWhat Was Diane Keaton's Real Name?Lucille Barilla — The Arena Group — October 11, 2025
  9. 17MagazineHide-and-Seek with Diane KeatonDominick Dunne — February 1985
  10. 18MagazineFalling in love again with Diane KeatonTerry Keefe — January 2004
  11. 221969 Tony Awards NomineesAmerican Theatre Wing
  12. 23MagazineDiane Keaton, Oscar-Winning Star of Annie Hall, Dies at 79Duane Byrge et al. — October 11, 2025
  13. 25Behind the Scenes: A Look Inside. Featurette from The Godfather DVD bonus features.
  14. 26The 45th Academy Awards (1973) Nominees and WinnersAcademy of Motion Picture Arts and Sciences
  15. 28MagazineThe Godfather Part II ReviewAndrew Collins — January 1, 2010
  16. 29News'The Primary English Class' Is Staged (Published 1976)Clive Barnes — February 17, 1976
  17. 30MagazineSweet on DianeSean Smith — December 2003
  18. 31Q&A: Diane KeatonCBS News — February 18, 2004
  19. 32MagazineKeaton walks away with 'Marvin's Room'Paul Tatara — January 13, 1997
  20. 34Reprinted in New York magazine, October 31, 1977, Molly Haskell
  21. 35"100 Greatest Performances of All Time". Premiere magazine. April 2006.
  22. 36Annie Hall (1977)November 2, 2013
  23. 38NewsLet's talk – Diane KeatonHugh Hart — December 11, 2005
  24. 40Joan Juliet Buck. "Inside Diane Keaton". Vanity Fair. March 1987.
  25. 42NewsDiane Keaton: A Photographer's RoleRobert Long — June 26, 2003
  26. 44MagazineReds: The Making of an American EpicPeter Biskind — March 2006
  27. 46"The Making of Reds". Vanity Fair. March 2006.
  28. 47NewsBeatty's Reds with Diane KeatonVincent Canby — December 4, 1981
  29. 48NewsReds Movie ReviewRoger Ebert — January 1, 1981
  30. 49The 54th Academy Awards (1982) Nominees and WinnersAcademy of Motion Picture Arts and Sciences — March 2022
  31. 50MagazineThe Current CinemaPauline Kael — January 18, 1982
  32. 52Stanley Kauffmann. "The Little Drummer Girl." The New Republic 191. November 5, 1984.
  33. 54MagazineBaby BoomPauline Kael — November 16, 1987
  34. 55Diane Keaton on The First Wives ClubHenri Behar — December 22, 1996
  35. 56NewsThe Good MotherHal Hinson — November 4, 1988
  36. 57NewsFilm: A Documentary, Diane Keaton's 'Heaven'Vincent Canby — April 17, 1987
  37. 61NewsReview/Film; Cat Lover With a Problem: AsthmaCaryn James — September 1, 1990
  38. 62NewsGreat 'Bride II' cast carries retread plotBarbara Shulgasser — December 8, 1995
  39. 63NewsPicking Up The Legos And The PiecesDinitia Smith — May 8, 1994
  40. 64Manhattan Murder MysteryTodd McCarthy — August 9, 1993
  41. 65NewsPlay It Again, WoodyDavid Ansen — August 30, 1993
  42. 67MagazineUndone HeroesNancy Jo Sales — September 18, 1995
  43. 68NewsIn a Higher State of Being (That Is, Dying)Franz Lidz — January 10, 1999
  44. 69Brad Stone. "Defining Diane". More magazine. July/August 2001.
  45. 70MagazineHell Hath No FuryElizabeth Gleick — Time Warner ( — October 7, 1996
  46. 71News'Wives' Get Even and Even MoreHearst Communications — September 20, 1996
  47. 73NewsReview- Marvin's RoomRoger Ebert — January 10, 1997
  48. 74NewsMovie Review: 'The Only Thrill'Kevin Thomas — March 6, 1998
  49. 77MagazineTown & CountryPeter Travers — May 9, 2001
  50. 78NewsSister Mary Explains It AllSteven Oxman — May 24, 2001
  51. 79NewsKeaton gets her chance to chew up the sceneryMark Sachs — November 3, 2003
  52. 81NewsCrossed OverMichael Speier — February 26, 2002
  53. 83MagazineAdopting Was the Smartest Thing I've Ever DoneMerle Ginsberg — January 2004
  54. 84NewsSomething's Gotta GiveRoger Ebert — December 12, 2003
  55. 8576th Academy Awards (2004)Academy of Motion Picture Arts and Sciences — October 4, 2014
  56. 86NewsKeaton Grows Into Matriarch RoleCarol Kopp — December 12, 2005
  57. 87MagazineThe Family Stone ReviewPeter Travers — December 1, 2005
  58. 89NewsLooking for the perfect man has never been more painfulWesley Morris — February 2, 2007
  59. 90NewsRated PU, Unfit for Any AudienceWilliam Booth — December 29, 2007
  60. 92NewsMad Money a Bankrupt ComedyKirk Honeycutt — Reuters — January 15, 2008
  61. 93Morning Glory – BEHIND THE SCENESTim Nasson — November 6, 2010
  62. 95Morning GloryNovember 10, 2010
  63. 99NewsRobin Williams Invited To 'Big Wedding'Jeff Sneider — June 24, 2011
  64. 100The Big WeddingApril 26, 2013
  65. 108Love the Coopers (2015)November 13, 2015
  66. 119Book Club (2018)Fandango Media — May 18, 2018
  67. 120Book Club reviewSusan Wloszczyna — May 18, 2018
  68. 125Is Hollywood Too Sensitive for the Razzies?Mikey O’Connell — The Hollywood Reporter — March 10, 2023
  69. 127NewsDiane Keaton's New Line of Textiles Is a Show StopperRobert Elizabeth — October 7, 2022
  70. 131Diane Keaton and Lulu in enjoyable body-change comedyLeslie Felperin — December 28, 2023
  71. 135MagazineDiane Keaton, Oscar-winning Annie Hall star, dies at 79Chris Morris — October 11, 2025
  72. 137Diane Keaton Is Not Having A MomentJoe Reid et al. — July 22, 2014
  73. 138NewsWhy Diane Keaton is your new ageless style inspirationChloe Mac Donnell — March 14, 2019
  74. 140Another WomanDaphne Merkin — October 23, 2005
  75. 142Acting Her AgePeter Rainer — December 3, 2003
  76. 143Diane Keaton Shows Style And Substance In Her New MemoirJacob E Osterhout — June 12, 2014
  77. 144Diane Keaton: Artist and Icon. 'The Price of Fame'. Deborah C. Mitchell, 41.
  78. 146Reprinted in The Village Voice, Andrew Sarris, October 1977.
  79. 148Diane Keaton to Receive AFI Life Achievement AwardMatt Donnelly — October 6, 2016
  80. 149The Barbara Walters Special, February 29, 2004
  81. 153MagazineAll about Diane Keaton's two children, daughter Dexter and son DukeJamie Ballard — October 11, 2025
  82. 155Diane Keaton: Happily Single and IndependentPaul Fischer — December 2, 2003
  83. 159Joan Juliet Buck. "Inside Diane Keaton" Vanity Fair. March 1987.
  84. 160Sunday Book Review: California RomanticaLindsay William-Ross — March 16, 2008
  85. 168Then AgainPenguinRandomhouse.com
  86. 169NewsDiane Keaton: Soulful, Unselfish MaturitySheila Weller — December 2, 2011
  87. 174NewsDiane Keaton's cause of death revealed as pneumoniaMatt Stevens et al. — October 16, 2025
  88. 175NewsNew details released about the death of Diane KeatonDan Heching et al. — October 16, 2025
  89. 176NewsWoody Allen remembers Diane KeatonWoody Allen — October 12, 2025
  90. 179NewsEntertainment world mourns Diane Keaton, dead at 79Zoe Sottile et al. — October 11, 2025
  91. 183NewsPointing The Way to 'Annie Hall' And BeyondJames, Caryn — December 4, 1997
  92. 184Diane Keaton names the biggest regret of her careerAimee Ferrier — April 4, 2025
  93. 200Memorable Moments – 50th Academy AwardsAcademy of Motion Picture Arts and Sciences
  94. 20369th Academy AwardsAcademy of Motion Picture Arts and Sciences — October 5, 2014
  95. 2063rd Annual Screen Actors Guild Awards Nominees & RecipientsScreen Actors Guild-American Federation of Television and Radio Artists
  96. 207Inaugural Screen Actors Guild Awards Nominees & RecipientsScreen Actors Guild-American Federation of Television and Radio Artists
  97. 20810th Annual Screen Actors Guild Awards Nominees & RecipientsScreen Actors Guild-American Federation of Television and Radio Artists
  98. 213NewsDiane Keaton honored at Comedy Arts FestivalDeseret Management Corporation — March 9, 2004
  99. 216MagazineDiane Keaton to Receive Zurich Film Festival's Golden Icon AwardScott Roxborough — Eldridge Industries — August 18, 2014
  100. 218MagazineSteven Spielberg, Diane Keaton, 'Dunkirk,' 'A Ciambra' Honored at Italy's David di Donatello AwardsAriston Anderson — Eldridge Industries — March 21, 2018
  101. 219MagazineGoing for BrokeDavid Denby — January 25, 1982
  102. 220BookWoody Allen: A BiographyEric Lax — Da Capo Press — 2000

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