In 1913, Condé Montrose Nast purchased a men's fashion magazine called Dress and immediately renamed it Vanity Fair, a title borrowed from a fictional town in John Bunyan's Pilgrim's Progress where every item sold was a lie and every person was chasing empty desires. Nast's decision to adopt this name was not merely an act of literary homage but a strategic gamble to position his new publication as the arbiter of modern excess and social climbing. The magazine quickly found its footing in the roaring twenties, reaching a circulation of 90,000 copies at its peak, a number that seemed substantial for the era. However, the Great Depression of the 1930s brought the original iteration to a crashing halt, and by December 1935, Nast announced that Vanity Fair would be folded into Vogue, its sister publication, to survive the economic collapse. The original Vanity Fair ceased to exist as a separate entity, its name and legacy dormant for nearly five decades until the company decided to resurrect it in the early 1980s. This revival would transform the magazine from a forgotten casualty of the Depression into a global powerhouse of culture, politics, and celebrity, proving that the name Vanity Fair carried a weight that could survive even the darkest economic times.
The Editors Who Shaped The Voice
The modern era of Vanity Fair began in June 1981 when the Condé Nast company, owned by S.I. Newhouse, announced plans to revive the title, with the first issue released on the 21st of February 1983, bearing a March cover date. Richard Locke, formerly of The New York Times Book Review, served as the inaugural editor of the new magazine, but his tenure was short-lived, lasting only three issues before Leo Lerman, a veteran features editor of Vogue, took the helm. The magazine's true cultural identity began to crystallize under Tina Brown, who edited the publication from 1984 to 1992, followed by Graydon Carter, who led the magazine from 1992 to 2017, and Radhika Jones, who served from 2017 to 2025. Each editor left an indelible mark on the magazine's direction, with Jones previously serving as the director of The New York Times book section before taking the reins at Vanity Fair. In June 2025, Mark Guiducci, formerly the creative editorial director of Vogue, succeeded Jones as editor-in-chief following her resignation, continuing a lineage of leadership that has kept the magazine at the forefront of American journalism. The magazine's employees unionized in 2022, a significant moment that highlighted the changing dynamics of the media industry and the growing power of its workforce. These editors did not just manage a magazine; they curated a cultural conversation that spanned decades, influencing everything from political discourse to the way celebrities presented themselves to the public.