Animation (journal)
The journal Animation opened its doors in 2006 with a clear mission to connect animation studies to wider media discussions. Before this moment, animation often existed as an isolated field within film and media studies. The founders sought to change that isolation by creating a dedicated space for scholarly exchange. They aimed to explore how animated forms influence other types of media rather than treating them as separate entities. This decision marked the beginning of a new chapter for academic research into moving images.
Suzanne Buchan took on the role of editor-in-chief to guide the journal's early direction. Her position at the Royal College of Art provided her with deep institutional knowledge about visual culture. She brought years of experience in art history and critical theory to the editorial process. Under her leadership, the publication maintained high standards for peer-reviewed content. Her affiliation helped establish credibility among universities and research institutions worldwide.
A triannual schedule governs when issues appear throughout each calendar year. SAGE Publications manages all operational aspects including distribution and digital access. This partnership ensured consistent production cycles without interruption from external factors. The publisher handles everything from manuscript review logistics to final print runs. Their infrastructure supports both physical copies and online archives for researchers.
Scholars rely on specific databases to locate articles published within Animation. Scopus indexes every issue making it accessible through major university library systems. The Arts & Humanities Citation Index also includes the journal’s full archive. Additional listings include the British Humanities Index and Current Contents/Arts & Humanities. These platforms ensure visibility across multiple academic disciplines beyond just animation studies.
The journal focuses exclusively on how animations impact other forms of media. It does not cover technical processes or industry news but rather theoretical implications. Film and media studies remain central to its peer-reviewed scope. Articles examine relationships between animated works and broader cultural contexts. This approach distinguishes it from trade magazines that prioritize commercial success over critical analysis.
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Common questions
When did the journal Animation open its doors?
The journal Animation opened its doors in 2006 with a clear mission to connect animation studies to wider media discussions. Before this moment, animation often existed as an isolated field within film and media studies.
Who served as editor-in-chief of the journal Animation during its early years?
Suzanne Buchan took on the role of editor-in-chief to guide the journal's early direction. Her position at the Royal College of Art provided her with deep institutional knowledge about visual culture.
How many times per year does the journal Animation publish issues?
A triannual schedule governs when issues appear throughout each calendar year for the journal Animation. SAGE Publications manages all operational aspects including distribution and digital access.
Which databases index articles from the journal Animation?
Scopus indexes every issue making it accessible through major university library systems. The Arts & Humanities Citation Index also includes the journal’s full archive along with the British Humanities Index and Current Contents/Arts & Humanities.
What is the primary focus of research published in the journal Animation?
The journal focuses exclusively on how animations impact other forms of media rather than covering technical processes or industry news. Film and media studies remain central to its peer-reviewed scope.