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— CH. 1 · A LETTER TO LAURENCE —

Simon Callow

~4 min read · Ch. 1 of 5
5 sections
  • On the 15th of June 1949, a boy named Simon Phillip Hugh Callow entered the world in Streatham, South London. His father was Neil Francis Callow, a businessman of French descent who left the family when Simon was just eighteen months old. The young child grew up under the care of his mother Yvonne and two grandmothers. At age nine, he traveled to Northern Rhodesia with his mother to attempt reconciliation with his absent father. That effort failed, and the boy spent three years at a boarding school in South Africa before returning to Britain at twelve.

    His path into performance began not on stage but through correspondence. He wrote a fan letter to Laurence Olivier, the artistic director of the National Theatre. Olivier replied suggesting that the teenager join their box-office staff instead. While working there, Simon watched actors rehearse and realized he wanted to be one of them. He abandoned his brief studies at Queen's University Belfast after one year to enroll in a three-year acting course at the Drama Centre London.

  • In 1973, Simon Callow made his professional stage debut in The Three Estates at the Assembly Rooms Theatre in Edinburgh. By the early 1970s, he had joined the Gay Sweatshop theatre company where he performed in Martin Sherman's Passing By. In 1979, he starred in Snoo Wilson's The Soul of the White Ant at the Soho Poly. This period marked his rise within the British theatrical community.

    The defining moment arrived when Peter Shaffer asked him to originate the title role of Wolfgang Amadeus Mozart in the play Amadeus. The production premiered at the National Theatre in 1979. Callow later noted that he had discovered Mozart quite early, with operas and symphonies forming part of his musical landscape. This familiarity likely helped him secure the job. He received a Laurence Olivier Award nomination for Best Actor in a Supporting Role for this performance. He also appeared as Schikaneder in Miloš Forman's 1984 film adaptation of the same work.

  • Callow's first film appearance came in 1984 as Emanuel Schikaneder in Amadeus. The following year, he played Reverend Mr Beebe in A Room with a View. That role earned him a BAFTA Film Award nomination for Best Actor in a Supporting Role. His comedic turn as Gareth in Four Weddings and a Funeral in 1994 brought him to a wider audience and generated another BAFTA nomination.

    His television career spans decades including roles in Chance in a Million from 1984 to 1986. He portrayed Napoleon in The Man of Destiny in 1981 and Charles Dickens across several projects. Recent appearances include Armand Duquesne in Marvel's Hawkeye on Disney+ and Codringher in The Witcher. He has also voiced characters in animated series like Shoebox Zoo and Roman Mysteries. In 2022, he joined the cast of Cole Porter's Anything Goes replacing Gary Wilmot as Elisha Whitney.

  • Beyond acting, Callow directed plays and wrote extensively about theatre history. His book Being An Actor published in 1984 critiqued director-dominated theatre while containing autobiographical sections. He directed Carmen Jones at the Old Vic in London in 1991 with Wilhelmenia Fernandez in the title role. This production won him the Laurence Olivier Award for Best Director of a Musical.

    He has written biographies of Oscar Wilde, Charles Laughton, Orson Welles, and Richard Wagner. One of his best-known books is Love Is Where It Falls, an analysis of his eleven-year relationship with theatrical agent Peggy Ramsay. He has also contributed articles to Gramophone and The New York Review of Books. As a devotee of classical music, he narrated audiobooks including Robert Fagles' translation of Virgil's The Aeneid.

  • In his 1984 book Being An Actor, Simon Callow came out as gay. He stated that coming out was probably one of the most valuable things he had done in his life. He believed it helped change culture since no actor had done so voluntarily before. In 2007, he appeared on The Independent's list of the twenty-eight most influential gay men and women in the UK.

    He married his partner Sebastian Fox in June 2016. Although he supported Stonewall when it was set up in 1989, he later distanced himself from the organization due to its stance on trans self-identification. In August 2014, he signed a letter to The Guardian expressing hope for Scotland to remain part of the United Kingdom during the referendum. His public service included being appointed Commander of the Order of the British Empire by Queen Elizabeth II in 1999.

Common questions

When and where was Simon Callow born?

Simon Phillip Hugh Callow entered the world on the 15th of June 1949 in Streatham, South London. His father was Neil Francis Callow, a businessman of French descent who left the family when Simon was just eighteen months old.

How did Simon Callow begin his career in acting?

Simon Callow began his path into performance through correspondence with Laurence Olivier after writing him a fan letter. He abandoned his studies at Queen's University Belfast to enroll in a three-year acting course at the Drama Centre London following this interaction.

What role defined Simon Callow's rise in British theatre?

Peter Shaffer asked Simon Callow to originate the title role of Wolfgang Amadeus Mozart in the play Amadeus which premiered at the National Theatre in 1979. This production earned him a Laurence Olivier Award nomination for Best Actor in a Supporting Role.

Which films featured Simon Callow as a supporting actor?

Simon Callow appeared as Emanuel Schikaneder in Miloš Forman's 1984 film adaptation of Amadeus and played Reverend Mr Beebe in A Room with a View the following year. He also portrayed Gareth in Four Weddings and a Funeral in 1994 which generated another BAFTA nomination.

Why is Simon Callow known for his written works on theatre history?

Simon Callow wrote extensively about theatre history including biographies of Oscar Wilde Charles Laughton Orson Welles and Richard Wagner. His book Being An Actor published in 1984 critiqued director-dominated theatre while containing autobiographical sections.