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— CH. 1 · CHILDHOOD IN LONDON —

Michael Moorcock

~5 min read · Ch. 1 of 6
6 sections
  • Michael John Moorcock arrived in Mitcham, Surrey on the 18th of December 1939. The landscape of London would later shape his fiction, particularly areas like Notting Hill Gate and Ladbroke Grove. He read three non-juvenile books before starting primary school: The Master Mind of Mars by Edgar Rice Burroughs, The Apple Cart by George Bernard Shaw, and The Constable of St. Nicholas by Edwin Lester Arnold. His first purchased book was a secondhand copy of The Pilgrim's Progress. By 1950, he began writing for a magazine he titled Outlaw's Own while still at school. At age 17, in 1957, he became editor of Tarzan Adventures, a national juvenile weekly featuring text and comic strips about Tarzan. That same year and the next, the publication had already printed at least a dozen of his own Sojan the Swordsman stories. At 18, in 1958, he wrote an allegorical fantasy novel called The Golden Barge. It remained unpublished until 1980 when Savoy Books issued it with an introduction by M. John Harrison. At 19, he worked on The Sexton Blake Library, described by The Encyclopedia of Science Fiction as the poor man's Sherlock Holmes.

  • Moorcock edited the British science fiction magazine New Worlds from May 1964 until March 1971, then again from 1976 to 1996. Under his leadership, the magazine became central to the development of the science fiction New Wave movement in the UK and indirectly in the United States. This movement promoted individual vision, literary style, and an existential view of technological change rather than generic hard science fiction. Some New Wave stories were not even recognizable as traditional science fiction. In 1969, he published Bug Jack Barron by Norman Spinrad as a serial novel, which caused controversy. In Parliament, some British MPs condemned the Arts Council of Great Britain for funding the magazine. After 1967, his policy aligned with the British pop art movement exemplified by Eduardo Paolozzi and Richard Hamilton. Paolozzi served as Aviation Editor during that time. He occasionally wrote under the pseudonym James Colvin, originally created for him by John Carnell. A spoof obituary of Colvin appeared in New Worlds issue 197 in January 1970, written by Charles Platt as William Barclay.

  • Central to many of Moorcock's seminal fantasy novels is the concept of an Eternal Champion who has multiple identities across alternate universes. This cosmology is called the Multiverse within his novels. The Multiverse deals with fundamental polarities such as Law versus Chaos and order versus entropy. Elric of Melniboné serves as a deliberate reversal of clichés found in fantasy adventure novels inspired by J.R.R. Tolkien. His best-selling works have been the Elric of Melniboné stories from 1961 through 2023. These include titles like The Dreaming City (1961), Stormbringer (1965, revised 1977), and The Citadel of Forgotten Myths (2022). Several attempts were made to turn Elric into a film, but Moorcock refused to resign options when they seemed to drift too far off course. In February 2019, BBC Studios announced they had secured rights to the Runestaff series featuring Hawkmoon as hero. Characters including Elric move from one storyline and fictional universe to another, all interconnected though often only in dreams or visions. His Eternal Champion sequence has been collected in two different editions of omnibus volumes totaling 16 books.

  • Moorcock collaborated with British rock band Hawkwind on many occasions. The track The Black Corridor included verbatim quotes from his novel of the same name. He worked with the band on their album Warrior on the Edge of Time, earning a gold disc for his contribution. He also wrote lyrics for Sonic Attack, a sci-fi satire that was part of Hawkwind's Space Ritual set. Moorcock appeared on stage with the band during the Black Sword tour. His contributions were removed from the original release of Live Chronicles due to legal reasons but later appeared on double-CD versions. He performed live with Blue Öyster Cult at the Atlanta Dragon Con Convention in 1987. He wrote lyrics for three BÖC tracks: Black Blade, Veteran of the Psychic Wars, and The Great Sun Jester. He contributed vocals and harmonica to Spirits Burning albums An Alien Heat, The Hollow Lands, The End Of All Songs Part 1, and The End Of All Songs Part 2. Most lyrics came from text in novels from his Dancers at the End of Time trilogy. In 2019, he announced completion of Live at the Terminal Cafe, released October 11 on Cleopatra Records.

  • Moorcock states clearly in interviews that he is an anarchist and pragmatist whose moral position remains one of anarchism. He says his books frequently deal with aristocratic heroes and gods but end by stating one should serve neither gods nor masters but become one's own master. Besides using fiction to explore politics, he engages in non-violent political activism. He encouraged W H Smiths to move John Norman's Gor series novels to the top shelf to marginalize content objectifying women. For many years he has written for magazines and newspapers of all political stripes including The Times, New Statesman, The Spectator, The Guardian, The Daily Telegraph, The Washington Post, and LA Times. He wrote essays criticizing writers like Robert A. Heinlein and H.P. Lovecraft for authoritarian or racist viewpoints in a 1978 essay called Starship Stormtroopers. His work often reflects his belief in individual freedom against oppressive systems. He has participated in public campaigns addressing social issues through both writing and direct action.

  • The Science Fiction and Fantasy Hall of Fame inducted Moorcock in 2002. He received life achievement awards at the World Fantasy Convention in 2000, Utopiales International Festival in 2004, Horror Writers Association in 2005, and Science Fiction and Fantasy Writers of America in 2008 as its 25th Grand Master. In 1967, Behold the Man won the Nebula Award for novella. Gloriana earned him the John W. Campbell Memorial Award for Best Science Fiction Novel and the World Fantasy Award for Best Novel in 1979. The Condition of Muzak won the Guardian Fiction Prize in 1977. In 2008, The Times named him one of fifty best British novelists since 1945. He was Co-Guest of Honor at the 1976 World Fantasy Convention in New York City and Guest of Honor at the 1997 55th World Science Fiction Convention in San Antonio, Texas. His works have been translated into many languages and reprinted by publishers including Titan Books, Simon and Schuster, and Gallimard.

Common questions

When and where was Michael Moorcock born?

Michael John Moorcock arrived in Mitcham, Surrey on the 18th of December 1939. The landscape of London would later shape his fiction, particularly areas like Notting Hill Gate and Ladbroke Grove.

What magazines did Michael Moorcock edit during his career?

Moorcock edited the British science fiction magazine New Worlds from May 1964 until March 1971, then again from 1976 to 1996. He also became editor of Tarzan Adventures at age 17 in 1957 while still a schoolboy.

Who is the Eternal Champion character created by Michael Moorcock?

Elric of Melniboné serves as a deliberate reversal of clichés found in fantasy adventure novels inspired by J.R.R. Tolkien within the Multiverse cosmology. His best-selling works have been the Elric of Melniboné stories from 1961 through 2023 including titles like Stormbringer revised in 1977.

Which rock bands has Michael Moorcock collaborated with for music projects?

Moorcock collaborated with British rock band Hawkwind on many occasions earning a gold disc for his contribution to their album Warrior on the Edge of Time. He performed live with Blue Öyster Cult at the Atlanta Dragon Con Convention in 1987 and contributed vocals to Spirits Burning albums An Alien Heat and The Hollow Lands.

What political views does Michael Moorcock hold regarding authority and governance?

Michael Moorcock states clearly in interviews that he is an anarchist and pragmatist whose moral position remains one of anarchism. He encourages people to serve neither gods nor masters but become one's own master through non-violent political activism.