Frist Campus Center
Frist Campus Center draws much of Princeton University's social life to a single address. Room 302, a lecture hall within its walls, has been restored to exactly the state it held when Albert Einstein once lectured there. That room points toward a history the building's sociable present tends to obscure. What was this structure before it became a student center? Whose fortune funded the change? The firm eventually chosen to design the transformation had a direct and personal connection to Princeton itself.
Palmer Physics Lab stood at the address that Frist Campus Center now holds. Before the transformation, the building's occupants were physicists, not students gathering between lectures. The Frist family provided the endowment that changed its identity entirely. Their fortune came from the private hospital business, a world distant in character from the Collegiate Gothic walls they were funding. Designing the transformation fell to a firm with an unusual qualification: one of its principals had graduated from Princeton himself.
Robert Venturi, one of the principals of Venturi, Scott Brown & Associates, is a Princeton alumnus. That detail gave the commission a particular character: a graduate returning to reshape a building at his own university. Venturi worked with his partner Denise Scott Brown on a design shaped by Palmer Hall's unusual geometry. The structure was C-shaped, with an interior courtyard and one side left open. New construction filled the courtyard while a further extension closed the open side, creating the building's new east facade. When the addition was completed in 2001, the building presented a continuous form where there had once been an open gap. The exterior that Venturi and Scott Brown created would later serve an entirely unexpected purpose.
Princeton-Plainsboro Teaching Hospital, the fictional setting of the television drama House, has no physical existence. The exterior that represents it on screen belongs to Frist Campus Center. The real building lent its Gothic exterior to a drama set within a fictional version of the university it actually serves.
James Bradberry Architects undertook a thorough renovation of the building's 100 level in 2008 and 2009. That work updated a portion of the campus center that the original construction had left in its earlier form. When House needed to show Princeton-Plainsboro Teaching Hospital, it showed Princeton's real campus center instead.
Common questions
What is Frist Campus Center at Princeton University?
Frist Campus Center is the primary social gathering space at Princeton University, combining the former Palmer Physics Lab with a modern addition completed in 2001. The building was named for the Frist family, whose fortune came from the private hospital business.
Who designed Frist Campus Center?
Frist Campus Center was designed by Venturi, Scott Brown & Associates. The firm's principals include Robert Venturi, a Princeton alumnus, and his partner Denise Scott Brown.
Who funded Frist Campus Center and why is it called Frist?
The Frist family endowed the campus center with money made in the private hospital business. The building takes its name from that gift.
What is the significance of Room 302 in Frist Campus Center?
Room 302 is a lecture hall that has been restored to the exact condition it held when Albert Einstein lectured there. The room preserves a direct connection to the building's earlier life as Palmer Physics Lab.
What TV show used Frist Campus Center as a filming location?
The television drama House used the exterior of Frist Campus Center for shots of the fictitious Princeton-Plainsboro Teaching Hospital. That hospital is a fictional institution that exists only in the show.
When were renovations performed at Frist Campus Center?
Extensive renovations were carried out on the 100 level of Frist Campus Center in 2008 and 2009 by James Bradberry Architects.
All sources
3 references cited across the entry
- 1Princeton Historic DistrictNational Park Service
- 2BookA Princeton CompanionAlexander Letich — Princeton University Press — 1978