The gatehouse of Lorsch Abbey in present-day Germany stands as a physical bridge between the ancient Roman world and the medieval West. Built during the Carolingian Renaissance of the late 8th and 9th centuries, this structure features alternating attached columns and arches that paraphrase elements found in the Colosseum in Rome. After the collapse of the western part of the Roman Empire, architectural traditions ceased to be practiced in large parts of Western Europe. The Byzantine Empire preserved these methods, though they gradually evolved into a distinct style known as Byzantine architecture. First conscious attempts to revive the language of classical antiquity emerged only during this specific historical window. While later styles like Gothic or Romanesque incorporated classical details, they generally lacked a systematic effort to emulate the principles of antiquity. These styles did not adhere to the idea of a systematic order of proportions for columns. Such omission meant they were not considered classical architecture in the strict sense.
Renaissance Revival Efforts
Filippo Brunelleschi constructed the Ospedale degli Innocenti in Florence between 1419 and 1445 with a treatment of columns that had no direct antecedent in ancient Roman architecture. Major efforts to revive the language of architecture began during the Italian Renaissance alongside the demise of the Gothic style. Architects such as Leon Battista Alberti, Sebastiano Serlio, and Giacomo Barozzi da Vignola studied the ancient Roman treatise De architectura by Vitruvius. They also examined actual remains of ancient Roman buildings located within Italy. The church façade of Santa Maria Nova in Vicenza was designed by Andrea Palladio between 1578 and 1590. This structure represents an emphatically classical interpretation of earlier ideas. The study of ancient architecture developed into the architectural theory of classical architecture over time. Most styles originating in post-Renaissance Europe can be described as classical architecture according to Sir John Summerson. Baroque or Rococo architecture displayed an architectural language much in their own right despite being classical at root.