The Golden Horns of Gallehus, discovered in Denmark and likely dating to the 4th century, bear a Runic inscription that serves as one of the earliest surviving examples of alliterative verse. The text reads ek hlewagasti r holtija r || horna tawid o, which translates to I, Hlewagastir son of Holt, made the horn. This short inscription contains four strongly stressed syllables where the first three alliterate on the sound /h/ while the final syllable does not. Scholars view this pattern as essentially identical to the structure found in much later Germanic poetry. Knowledge about the common tradition from which these forms emerged relies almost entirely on inference from later written works since most early alliterative poetry was composed and transmitted orally without recording. Writing may have altered the oral art form but scholars generally agree that written verse retains many features of spoken language. Snorri Sturluson described metrical patterns used by skaldic poets around the year 1200 in his Prose Edda. His description has served as the starting point for reconstructing alliterative meters beyond those of Old Norse.
Half-Lines Lifts And Dips Defined
A long line is divided into two half-lines known as verses or hemistiches with the first called the a-verse and the second the b-verse. A heavy pause or caesura separates these verses helping listeners perceive where the end of the line falls. Each verse usually has two heavily stressed syllables referred to as lifts or beats while other less heavily stressed syllables are called dips. The first and/or second lift in the a-verse alliterates with the first lift in the b-verse while the second lift in the b-verse does not alliterate with the first lifts. Some fundamental rules varied over time within certain traditions. For instance in Old English alliterative verse some lines show the second but not the first lift in the a-verse alliterating with the first lift in the b-verse as seen in line 38 of Beowulf. Germanic poets were sensitive to degrees of stress falling into three levels: most stressed root syllables of nouns adjectives participles and infinitives; less stressed root syllables of finite verbs and adverbs; and even less stressed pronouns weakly stressed adverbs prepositions conjunctions and word endings. If a half-line contains one or more stress words their root syllables become the lifts. In older Germanic languages a syllable ending with a short vowel could not be one of the potentially alliterating lifts by itself unless resolution occurred.