In 1580, the French philosopher Michel de Montaigne watched a dance in Augsburg where participants held each other so closely their faces touched. This early form of movement evolved from sliding or gliding dances like the volta that appeared in 16th-century Europe. Printmaker Hans Sebald Beham created images showing these precursors to what would become the waltz. By 1750, lower classes in Bavaria, Tyrol, and Styria began dancing a couples version called Walzer. The Ländler served as a country dance foundation popular across Bohemia, Austria, and Bavaria before spreading into city suburbs. Bored noblemen slipped away from formal minuets by Mozart, Haydn, and Handel to join servant balls. In 1771, Sophie von La Roche wrote a novel where a character raged against the new dance's physical intimacy. She described how men put arms around women and pressed them to their breasts during this "shameless, indecent whirling-dance." Don Curzio later documented Vienna life between 1776 and 1786, noting people danced madly while Viennese ladies gained fame for their graceful movements.
Social Controversy And Acceptance
The waltz reached England in 1791 according to contemporary singer Michael Kelly. Shocking many observers when first introduced, it became fashionable in Vienna around the 1780s before spreading globally. During the Napoleonic Wars, infantry soldiers of the King's German Legion brought the dance to Bexhill, Sussex starting in 1804. Diarist Thomas Raikes recorded that no event created such sensation in English society as the waltz's introduction in 1813. Dorothea Lieven, wife of the Russian ambassador, made the dance respectable through her endorsement during Britain's Regency period. Lord Byron published an anonymous tribute to the dance the previous autumn of 1813. Thomas Wilson released A Description of the Correct Method of Waltzing in 1816 as an instructional manual. Almack's club permitted the waltz despite Oxford English Dictionary entries calling it "riotous and indecent" as late as 1825. Anne Brontë wrote a scene set in 1827 where Reverend Milward intervened decisively against waltzing while tolerating other dances. The closed position remained controversial for decades even as popularity grew.