Vanir
In Norse mythology, the Vanir are a group of gods associated with fertility, wisdom, and the ability to see the future. The Vanir form one half of the divine pantheon alongside the Aesir. Their home is Vanaheimr, which translates directly to Home of the Vanir in Old Norse sources. After a great conflict known as the Aesir-Vanir War, these deities became a subgroup within the larger Aesir order. At least some members of this group later received the title of Aesir themselves.
Scholars identify three core figures who define this category: Njordr, Freyr, and Freyja. All surviving texts describe these three as true members of the Vanir. The god Njordr ruled over many hofs and horgrs yet was not raised among the Aesir. His children Freyr and Freyja inherited his status as Vanir before eventually serving as priests for the Aesir. Freyja served as priestess at sacrifices and taught magic to the Aesir that had been practiced among the Vanir.
Other deities appear only as potential candidates. Heimdall possesses foreknowledge just as the Vanir can according to the poem Thrymskvida. Ullr has also been theorized as a possible member of the group. Scholars note that boars carry the name Van-child in the Prose Edda. Both Freyja and Freyr are attested as being accompanied by boars in artistic depictions.
A stanza in Volsupa describes the events of the Aesir-Vanir War with vivid intensity. During the conflict the Vanir broke the walls of the stronghold of the Aesir. They were indomitable trampling the plain as they fought against their rivals. This war ended when both sides agreed to trade hostages to secure peace.
Njordr and Freyr traveled from Vanaheimr to serve as hostages sent to the Aesir. In return the Aesir sent Hoenir and Mimir to live among the Vanir. The exchange resulted in a formal peace agreement between the two groups. When Njordr lived among the Vanir his wife was his sister though such unions were forbidden among the Aesir.
Mimir proved too clever for the Vanir to ignore during assemblies. Whenever Hoenir appeared at meetings where the Vanir asked him his opinion on difficult issues he simply replied let others decide. The Vanir suspected they had been cheated by the Aesir in the hostage exchange. They grabbed hold of Mimir cut off his head and sent it back to the Aesir.
Snorri Sturluson recorded this narrative in Heimskringla chapter four. He described how Odin appointed Njordr and his son Freyr as priests over offerings of sacrifice. These gods became recognized as deities within the Aesir pantheon after the war concluded.
Small pieces of gold foil decorated with pictures of figures date from the Migration Period into the early Viking Age. Scholars call these artifacts gullgubber. Over 2,500 examples have been discovered in various locations across Scandinavia. The foil pieces appear largely at sites of buildings rather than in graves.
The figures sometimes stand alone or appear as animals. Occasionally a man and woman face each other with a leafy bough between them while embracing one another. Human figures are almost always clothed and sometimes depicted with their knees bent. Scholar Hilda Ellis Davidson suggests these figures may be partaking in a dance connected to weddings.
These images might represent the notion of divine marriage found in Skirnismal. That poem describes the coming together of the Vanir god Freyr and his love Gerdr. The gold foils could reflect rituals honoring such unions during the Migration Period. Some scholars link these artifacts to Vanir worship practices that predate written records.
Historicists argue whether the Vanir reflect a purported historic meeting between different peoples in ancient times. Structuralists view them as an extension of Proto-Indo-European mythology existing for complex social reasons among early Indo-European peoples. Notable proponents of the historicist position include Karl Helm Ernst Alfred Philippson Lotte Motz and Lotte Headegger.
Georges Dumezil Jan de Vries and Gabriel Turville-Petre champion the structuralist view instead. This perspective has generally gained the most support among academics though with caveats from Jens Peter Schjodt Margaret Clunies Ross and Thomas DuBois. Many doubt that the Vanir were known outside Scandinavia before Christianization.
Rudolf Simek published a 2010 piece arguing vanir was originally nothing more than a general term for deities like aesir. He claimed its employment as a name for a distinct group was an invention of Snorri Sturluson. Simek stated he believed these were not mistakes but deliberate inventions on the part of Snorri. His argument received some level of support from Frog and Jonathan Roper who analyzed poetic usages of Vanir.
Clive Tolley Leszek P Slupecki Jens Peter Schjodt and Terry Gunnell rejected Simeks proposal. Tolley argued the term must have originated in historical usage. He called it misrepresentation to suggest Snorri is the main source for the vanir. Gunnell proposed recurring patterns imply people viewed religious activities connected with the Vanir differently than elsewhere.
Scholar R I Page notes there is no shortage of etymologies for the word Vanir yet one theory stands out. It is tempting to link the word with Old Norse vinr meaning friend. Another possibility connects it to Latin Venus goddess of physical love. The term sometimes appears anglicized as Wanes in singular form Wane.
Richard North theorizes that glossing Latin vanitates meaning vanities or idols for gods in Old English sources implies existence of *uuani. This reconstructed cognate to Old Norse Vanir may have existed in Deiran dialect. Gods that Edwin of Northumbria and northern Angles worshiped in pre-Christian Anglo-Saxon England likely included these figures.
North comments they likely shared not only the name but also orgiastic character of the Old Icelandic Vanir. Alaric Hall equated the Vanir with elves though this remains debated. Some scholars suggest the Vanir were particularly the sweet scent darlings of women according to Voluspa intimations.
The Vanir appear in the poem Om vanerne by Oehlenschlager published in 1819. Germanic Neopagans refer to their beliefs as Vanatru meaning those who honor the Vanir today. These modern movements draw inspiration from ancient texts like the Poetic Edda and Prose Edda.
Scholars note that Christian missionaries such as St Olaf were intent upon eradication of Vanir cults. If Vanir were particularly the sweet scent darlings of women there was incentive for new muscular masculine Christianity to ensure their demise. A cult fostered by guardians of the home would be a serious threat to spread of new religion.
Contemporary practitioners study archaeological evidence alongside literary sources to reconstruct rituals. They examine gullgubber gold foil artifacts and poetic descriptions of divine marriages. The Vanir remain central figures in modern attempts to revive pre-Christian Scandinavian spirituality despite centuries of suppression.
Common questions
Who are the Vanir in Norse mythology?
The Vanir are a subgroup of gods associated with fertility, wisdom, and the ability to see the future. They form one half of the divine pantheon alongside the Aesir.
What is the home of the Vanir called?
Their home is Vanaheimr which translates directly to Home of the Vanir in Old Norse sources. This location serves as their primary dwelling before they become part of the larger Aesir order after the war.
When did the Aesir-Vanir War end according to the script text?
The conflict ended when both sides agreed to trade hostages to secure peace. Njordr and Freyr traveled from Vanaheimr to serve as hostages sent to the Aesir while Hoenir and Mimir went to live among the Vanir.
Why was Mimir's head cut off during the hostage exchange?
The Vanir suspected they had been cheated by the Aesir because Hoenir simply replied let others decide whenever asked his opinion on difficult issues. They grabbed hold of Mimir cut off his head and sent it back to the Aesir.
How many gullgubber gold foil artifacts have been discovered across Scandinavia?
Over 2,500 examples have been discovered in various locations across Scandinavia dating from the Migration Period into the early Viking Age. These small pieces of gold foil decorated with pictures of figures appear largely at sites of buildings rather than in graves.
All sources
1 references cited across the entry
- 1harvnbHall (2007) p. 26, 35–36Hall — 2007