In the year 113, Roman engineers faced a task that defied the limits of their time. They needed to raise twenty massive blocks of Carrara marble into the sky. Each block weighed approximately thirty-two tons. The final capital block at the top was even heavier, tipping the scales at fifty-three point three tons. This single piece had to be lifted to a height of about one hundred feet above the ground. No standard treadwheel crane could reach such heights or handle such loads. Engineers instead built a wooden tower around the construction site. Inside this structure, they used pulleys and ropes powered by capstans. Eight capstans were required just to hoist the base block. A large workforce of men and possibly draught animals spread out on the ground pulled these machines in unison. If the force was not applied evenly, the ropes would snap under the stress. The column stands today with less than half a degree lean despite numerous earthquakes over two millennia.
The Helical Storytelling Band
A continuous ribbon of sculpture winds around the shaft twenty-three times from bottom to top. This frieze contains two thousand six hundred sixty-two figures across one hundred fifty-five distinct scenes. Emperor Trajan himself appears within the stone five-eight times as the central hero. The narrative begins with the first campaign against the Dacians between 101 and 102 AD. It continues with the second war fought from 105 to 106 AD. Unlike typical battle monuments, violent action is rare here. Instead, the relief emphasizes orderly soldiers performing ceremonies and construction work. Fourty-eight trees are shown being felled during the journey up the Danube river. These scenes likely spoke to a total conquest of the province rather than simple military victory. Women appear mostly at the margins of the scenes, yet one disturbing image shows four Dacian women torturing two naked men. Scholars note that this specific scene offers some of the most unusual depictions of violence found in Roman state art. The design uses different perspectives within single scenes to reveal more detail, such as showing men working behind a wall from an angle.