— Ch. 1 · Development And Production History —
Star Wars: Episode II – Attack of the Clones.
~4 min read · Ch. 1 of 6
George Lucas began writing the script for Attack of the Clones in March 2000, just three months before principal photography started. He completed a rough draft by June 2000 and brought on Jonathan Hales to help with the third draft that became the shooting script. The final script was finished only three days before filming commenced. Principal photography ran from the 26th of June 2000, to the 20th of September 2000, at Fox Studios Australia in Sydney. Additional location shoots took place in Tunisia, Italy, Spain, China, London, Vancouver, and San Diego. Reshoots occurred in March 2001 when Lucas decided the film lacked pace and added a new action sequence set in a droid factory. That sequence's previsualization was rushed, and live-action footage was shot within four and a half hours. Ewan McGregor had to trim his hair and shave his beard for another role, so he wore a hairpiece and fake beard during post-production.
Visual Effects And Digital Innovation
Attack of the Clones used over 2,000 visual effects shots and relied almost entirely on digital animatics instead of traditional storyboards. Ben Burtt created videomatics using household videocameras where production assistants acted out scenes against greenscreen. These rough versions were later replaced with computer-generated backgrounds and props to create animatics shown to actors on set. The film introduced a completely CGI version of Yoda developed by Rob Coleman and John Knoll. Frank Oz consulted on the animation, advising that Yoda should look old, sore, and frigid to match the puppet from earlier films. Christopher Lee, who played Count Dooku, used a stunt double for demanding fight scenes while his face was superimposed onto the double's body except in close-ups. The movie also pioneered the use of HDW-F900 cameras developed by Sony and Panavision, making it one of the first feature films shot entirely on a high-definition digital 24-frame system. This technology allowed filming without complications even in extreme heat conditions that plagued previous shoots.