Scholars have argued for decades about when Quintus Smyrnaeus actually lived. Tradition places him in the latter part of the 4th century AD, but some researchers push his life back to the 3rd or even the 2nd century. A key piece of evidence comes from book six, line 531 and following lines, which describes man-and-beast fights in an amphitheater. These spectacles were suppressed by Emperor Theodosius I between 379 and 395 AD. If the poet wrote about these events, he must have been alive before they ended. Another clue appears in book thirteen, line 335 and following lines. This passage contains a prophecy that scholar Hermann Koechly believed applies specifically to the middle of the 4th century AD. Despite these markers, other experts point to stylistic features resembling the Second Sophistic movement. That literary school flourished during the 1st and 2nd centuries, suggesting an earlier date for the poet's work.
Echoes Of The Lost Cycle
The story begins immediately after Hector's body was regained by the Trojans at the end of Homer's Iliad. Four books follow the same ground as Arctinus of Miletus' Aethiopis, describing the deeds of Penthesileia and Memnon. Amazon queen Penthesileia arrives to fight alongside Troy but falls to Achilles' spear. King Memnon, son of the dawn goddess Eos, also meets his end at the hands of Achilles. The narrative then shifts to Achilles' own death and the funeral games held in his honor. Books five through twelve cover the Little Iliad of Lesches, detailing the contest between Aias and Odysseus for Achilles' arms. Aias takes his own life after losing the competition. Neoptolemus, Eurypylus, and Deiphobus carry out their exploits while Paris and Oenone meet tragic ends. The wooden horse is built during this period, setting the stage for the final destruction of the city.