The first Palme d'Or was awarded in 1955 to Delbert Mann for his film Marty, marking a pivotal shift in the history of the Cannes Film Festival. Before this moment, the festival had struggled with its identity, having been cancelled in 1939 due to the outbreak of the Second World War and then operating under different awards from 1946 to 1954. The decision to create a new, permanent symbol was driven by the festival's board of directors, who sought to honor the city of Cannes itself. They invited several jewellers to submit designs for a palm, a direct tribute to the coat of arms of the city and the legend of Saint Honorat, which features palm trees lining the famous Promenade de la Croisette. The original design by Parisian jeweller Lucienne Lazon, inspired by a sketch from the legendary director Jean Cocteau, featured a bevelled lower extremity of the stem forming a heart and a pedestal that was a sculpture in terracotta by the artist Sébastien. This new award was intended to be the highest honor, replacing the Grand Prix du Festival International du Film, and it would go on to become one of the most prestigious awards in the film industry.
A Shifting Symbol
The physical form of the Palme d'Or has evolved significantly since its inception, reflecting changes in design trends and the festival's desire to modernize its image. In 1964, the Palme d'Or was temporarily replaced by the Grand Prix, a decision that lasted until 1975 when the Palme d'Or was reintroduced and has remained the festival's symbol ever since. The award's design underwent several transformations, with the rounded shape of the pedestal gradually transforming into a pyramidal shape in 1984. In 1992, Thierry de Bourqueney redesigned the Palme and its pedestal in hand-cut crystal, and in 1997, Caroline Scheufele redesigned the statuette again. Since then, it has been manufactured by the Swiss jewellery firm Chopard. The palm is made from 18-carat yellow gold, and the branch's base forms a small heart. The award rests on a dainty crystal cushion shaped like an emerald-cut diamond, and a single piece of cut crystal forms a cushion for the palm, which is hand-cast into a wax mould. It is now presented in a case of blue Morocco leather, a stark contrast to the original red Morocco leather case lined with white suede. In 1998, Theo Angelopoulos was the first director to win the Palme d'Or as it appears today, for his film Eternity and a Day.The Unorthodox Decision
In 2013, when Blue Is the Warmest Color won the Palme d'Or, the jury headed by Steven Spielberg made an unprecedented decision to award the film's actresses, Adèle Exarchopoulos and Léa Seydoux, as well as the director Abdellatif Kechiche. This was the only instance where multiple Palme d'Or trophies were presented, a move driven by a Cannes policy that forbids the Palme d'Or-winning film from receiving any additional awards. The jury decided to include the actresses in the recognition due to this policy, which would have prevented them from acknowledging the actresses separately. Regarding the unorthodox decision, Spielberg commented, "Had the casting been 3% wrong, [the film] wouldn't have worked like it did for us". Subsequently, Kechiche auctioned off his Palme d'Or trophy to fund his new feature film. In an interview with The Hollywood Reporter, he expressed dissatisfaction with the festival's decision to award multiple trophies, stating that he felt they had "publicly insulted" him. He added, "Liberating myself from this Palme d'Or is a way of washing my hands of this sorry affair". This incident remains a unique chapter in the history of the award, highlighting the complex relationship between the festival, the filmmakers, and the artistic community.