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Mary Shelley

Ch. 1 of 8
— CH. 1 · INTRODUCTION —

Contents

Mary Shelley

8 sections
  • Mary Wollstonecraft Shelley was born on the 30th of August 1797 in Somers Town, London, and she died on the 1st of February 1851 at Chester Square. In the fifty-three years between those dates, she wrote the novel that gave the world its most enduring image of science outrunning conscience. Frankenstein; or, The Modern Prometheus appeared in 1818 and has never gone out of print. But who was the woman behind it? Her mother died eleven days after her birth. Her father was one of the most radical political philosophers in England. At sixteen, she ran off to France with a married poet. She lost three children before the age of twenty-five. Her husband drowned when she was twenty-four. And for the remaining three decades of her life, she fought to keep herself and her surviving son alive through her pen, while also quietly making the case that Percy Bysshe Shelley was one of the greatest poets in the language. The question scholars have been wrestling with ever since is why it took until the 1970s for anyone to ask seriously whether Mary Shelley herself deserved the same attention.

  • William Godwin, her father, was one of the founding voices of anarchist political philosophy in Britain. Her mother, Mary Wollstonecraft, wrote A Vindication of the Rights of Woman in 1792 and died of puerperal fever just eleven days after giving birth to her daughter. Godwin was left to raise two children: Mary, and Fanny Imlay, Wollstonecraft's daughter by the American speculator Gilbert Imlay. A year after Wollstonecraft's death, Godwin published his Memoirs of the Author of A Vindication of the Rights of Woman, intending it as a compassionate tribute. Because the Memoirs frankly disclosed her affairs and her illegitimate child, they were received as scandalous. Mary grew up reading those Memoirs and her mother's books, trained from childhood to regard intellectual life as a birthright. Godwin tutored her broadly, took the children on educational outings, and gave her access to his library and to the many thinkers who visited, including the Romantic poet Samuel Taylor Coleridge and the former United States vice-president Aaron Burr. At age fifteen, her father described her as "singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything she undertakes almost invincible." In June 1812, he sent her north to stay with the radical William Baxter near Dundee, writing to Baxter: "I am anxious that she should be brought up... like a philosopher, even like a cynic." She returned north in the summer of 1813 for a further stay of ten months. That Scottish landscape, with its woodless mountains and open grounds, would later surface in the 1831 introduction to Frankenstein as the place where her "true compositions" were born.

  • By the time Mary Godwin returned home for the second time on the 30th of March 1814, Percy Bysshe Shelley had become estranged from his wife and was a regular visitor to her father's house, seeking partly to absorb Godwin's political ideas and partly to bail him out of debt. Mary and Percy began meeting secretly at Mary Wollstonecraft's grave in the churchyard of St Pancras Old Church, and on the 26th of June 1814, Percy declared that he could not hide his "ardent passion". On the 28th of July, the couple eloped to France, taking Mary's stepsister Claire Clairmont along. They travelled through a country ravaged by war, by donkey, mule, carriage, and foot, reaching Gravesend, Kent, on the 13th of September 1814. Mary was already pregnant. Her father refused to have anything to do with her. On the 22nd of February 1815, she gave birth to a two-month premature baby girl. On the 6th of March, she wrote to her friend Thomas Jefferson Hogg: "My dearest Hogg my baby is dead, will you come to see me as soon as you can." The letter ended, "for I am no longer a mother now." The loss produced acute depression. She recovered by summer, and on the 24th of January 1816, her second child, William, nicknamed "Willmouse", was born. Percy and Mary still could not marry, because Percy's wife Harriet was still alive. On the 10th of October 1816, Harriet's half-sister Fanny Imlay was found dead in a Swansea inn; and on the 10th of December, Percy's wife Harriet was found drowned in the Serpentine in Hyde Park. Both suicides were hushed up. On the 30th of December 1816, Percy and Mary married at St Mildred's Church, Bread Street, London. Her father was a witness who signed the register.

  • In May 1816, Mary, Percy, their infant son William, and Claire Clairmont travelled to Geneva, where Claire's recent affair with Lord Byron had left her pregnant. Byron joined the party on the 25th of May with his young physician John William Polidori, and rented the Villa Diodati close to Lake Geneva in the village of Cologny. Mary remembered 1831: "It proved a wet, ungenial summer, and incessant rain often confined us for days to the house." Sitting around a log fire at the Villa Diodati, the group read German ghost stories until Byron proposed that they "each write a ghost story". Mary could think of nothing. Each morning someone would ask her whether she had thought of a story. Each morning she had to admit she had not. Then one mid-June evening, the conversation turned to the nature of the principle of life and whether a corpse could be reanimated, with galvanism offered as evidence of the possibility. That night, unable to sleep, she experienced a "waking dream" so vivid she later transcribed it almost whole: "I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion." She began writing what she assumed would be a short story. Percy encouraged her to expand it, and the result, Frankenstein; or, The Modern Prometheus, was published on the 1st of January 1818. In September 2011, the astronomer Donald Olson concluded, after studying data on the motion of the moon and stars, that the waking dream took place between two and three in the morning on the 16th of June 1816.

  • Frankenstein appeared anonymously in 1818, dedicated to William Godwin and prefaced by Percy Shelley. Reviewers and readers assumed Percy had written it. The question of how much he contributed has never fully gone away. Mary Shelley herself drew a careful line: "I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world." She also wrote that the preface to the first edition was Percy's work, "as far as I can recollect". Scholars have divided sharply over what Percy's notebooks reveal. James Rieger concluded that Percy's "assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator". Anne K. Mellor later argued he had only "made many technical corrections and several times clarified the narrative and thematic continuity of the text". Charles E. Robinson, who edited a facsimile of the Frankenstein manuscripts, concluded that Percy's contributions were no more than what any good editor or colleague provides. The debate sharpened on the novel's two hundredth anniversary. Literary scholar and poet Fiona Sampson, having examined the notebooks held at the Bodleian Library in Oxford, wrote in her 2018 book In Search of Mary Shelley that Percy "did rather less than any line editor working in publishing today". The persistence of the dispute says less about the evidence than it does about how reluctant later readers were to accept that an eighteen-year-old woman had conceived, in a single sleepless night, one of the most consequential ideas in literary history.

  • On the 12th of March 1818, the Shelleys and Claire Clairmont left England for Italy with no intention of returning. Their first task on arriving was to hand Claire's daughter, first called Alba and later Allegra, to Byron, who had agreed to raise her on the condition that Claire have nothing more to do with her. What followed were years of restless movement through Rome, Venice, Naples, and other Italian cities, circled by grief. Clara, their daughter, died in September 1818 in Venice. William, their son, died in June 1819 in Rome, of malaria. Percy wrote in his notebook at the time: "My dearest Mary, wherefore hast thou gone, / And left me in this dreary world alone?" On the 12th of November 1819, Mary gave birth to a fourth child, Percy Florence, who would be her only child to survive to adulthood. Despite the losses, these were years of intense intellectual output for both Shelleys. Mary wrote the novella that became Matilda, the historical novel Valperga, and the plays Proserpine and Midas during this period. Valperga was written partly to help relieve her father's financial difficulties after Percy refused to assist him further. In Naples, in December 1818, they received only a single visitor during a three-month stay: a physician. And in the summer of 1822, at the Villa Magni near the hamlet of San Terenzo in the Bay of Lerici, on the 16th of June, Mary miscarried and came close to death. Percy sat her in a bath of ice to stop the bleeding; the doctor later told him the action had saved her life.

  • On the 8th of July 1822, Percy Shelley, Edward Ellerker Williams, and an eighteen-year-old boat boy named Charles Vivian sailed south from Lerici to Livorno, where Percy met with Byron and Leigh Hunt to discuss launching a radical magazine called The Liberal. They set out on the return journey that same day and never reached their destination. Ten days after the storm, three bodies washed ashore near Viareggio. Trelawny, Byron, and Hunt cremated Percy Shelley's body on the beach. Mary Shelley lived for a year afterward with Leigh Hunt's family in Genoa, transcribing Byron's poems, and then returned to England on the 23rd of July 1823. Her father-in-law, Sir Timothy Shelley, agreed to support her son Percy Florence only if the boy were surrendered to a guardian Mary did not choose. She refused, and eventually wrested a limited annual allowance of £100 from him, rising later to £250, which she would have to repay when Percy Florence inherited the estate. Sir Timothy refused ever to meet her in person and communicated only through lawyers. He also threatened to stop the allowance if any biography of Percy were published. Mary found a way around that: she wrote biographical notes into her editions of Percy's poetry, turning the notes themselves into a record of his life. On the 29th of August 1823, she attended a performance of Presumption; or, the Fate of Frankenstein, the first stage adaptation of her novel, at the English Opera House in the West End. Its popularity drove a second printing of Frankenstein and a wave of further theatrical versions. In 1830, she sold the copyright to a new edition of Frankenstein for £60 to Henry Colburn and Richard Bentley for their Standard Novels series.

  • Until the 1970s, Mary Shelley was known principally as Percy's widow and as the author of Frankenstein. In the introduction to her letters published in 1945, editor Frederick Jones wrote that the collection could not be justified "by the general quality of the letters or by Mary Shelley's importance as a writer", but only by her identity as Percy's wife. That judgment had still not fully shifted by 1980, when Betty T. Bennett published the first volume of Mary Shelley's complete letters and noted that scholars had long treated her as "a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion." It was not until Emily Sunstein's 1989 biography, Mary Shelley: Romance and Reality, that a full scholarly life appeared in print. What subsequent scholars found was a body of work far broader than Frankenstein: the historical novels Valperga in 1823 and Perkin Warbeck in 1830; the apocalyptic novel The Last Man in 1826; Lodore in 1835 and Falkner in 1837; the travel book Rambles in Germany and Italy in 1844; and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia, published between 1829 and 1846, whose Lives volumes had a print run of about 4,000 copies each. Those Lives, republished only in 2002, revealed what literary scholar Greg Kucich called her "prodigious research across several centuries and in multiple languages" and her interest in what he termed "emerging forms of feminist historiography". On the first anniversary of Mary Shelley's death, her son and daughter-in-law opened her writing desk and found inside it locks of her dead children's hair, a notebook she had shared with Percy, and a copy of his poem Adonais, one page folded around a silk parcel containing some of his ashes and the remains of his heart.

Updated

Common questions

What did Mary Shelley write besides Frankenstein?

Mary Shelley wrote the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826), and the novels Lodore (1835) and Falkner (1837). She also wrote the travel book Rambles in Germany and Italy (1844) and contributed multiple volumes of biographical essays to Dionysius Lardner's Cabinet Cyclopaedia between 1829 and 1846.

When and where did Mary Shelley get the idea for Frankenstein?

Mary Shelley conceived the idea for Frankenstein during a summer stay near Lake Geneva in 1816. After a late-night conversation at Lord Byron's Villa Diodati about whether a corpse could be reanimated, she experienced a vivid waking dream that she later described as the genesis of the novel. Astronomer Donald Olson concluded in 2011 that the dream occurred between two and three in the morning on the 16th of June 1816.

Did Percy Bysshe Shelley write or co-write Frankenstein?

Mary Shelley stated that she owed Percy "not the suggestion of one incident, nor scarcely of one train of feeling", though she credited his encouragement as essential. Percy wrote the preface to the 1818 first edition and made corrections to the manuscript. Fiona Sampson, after examining the Frankenstein notebooks at the Bodleian Library in Oxford, concluded in her 2018 book In Search of Mary Shelley that Percy did less than a line editor working today would do.

Who were Mary Shelley's parents?

Mary Shelley's father was the political philosopher William Godwin, and her mother was Mary Wollstonecraft, the philosopher and women's rights advocate who wrote A Vindication of the Rights of Woman in 1792. Wollstonecraft died of puerperal fever eleven days after Mary was born.

How did Percy Bysshe Shelley die?

Percy Bysshe Shelley drowned when his sailing boat sank during a storm near Viareggio, Italy. He had departed Livorno on the 8th of July 1822 with Edward Ellerker Williams and an eighteen-year-old boat boy named Charles Vivian. Three bodies washed ashore ten days after the storm, and Percy's body was cremated on the beach at Viareggio by Trelawny, Byron, and Leigh Hunt.

When did Mary Shelley die and what was the cause?

Mary Shelley died on the 1st of February 1851 at Chester Square, London, at the age of fifty-three. Her physician suspected a brain tumour; she had suffered from headaches and bouts of paralysis from 1839 onward, which sometimes prevented her from reading and writing. She was buried at St Peter's Church, Bournemouth.

All sources

307 references cited across the entry

  1. 1Seymour, 458.
  2. 2BookBillion Year Spree: The True History of Science FictionBrian Aldiss — Doubleday — 1973
  3. 4Seymour, 28–29; St Clair, 176–178.
  4. 5St Clair, 179–188; Seymour, 31–34; Clemit, Legacies of Godwin and Wollstonecraft (CC), 27–28.
  5. 6Seymour, 38, 49; St. Clair, 255–300.
  6. 7St Clair, 199–207.
  7. 8Claire's first name was "Jane", but from 1814 (see Gittings and Manton, 22) she preferred to be called "Claire" (her second name was "Clara"), which is how she is known to history. To avoid confusion,
  8. 9Seymour, 47–49; St Clair, 238–254.
  9. 10William St Clair, in his biography of the Godwins and the Shelleys, notes that "it is easy to forget in reading of these crises in the lives of the Godwins and the Shelleys how unrepresentative the re
  10. 11St Clair, 243–244, 334; Seymour, 48.
  11. 12Letter to Percy Shelley, 28 October 1814. Selected Letters, 3; St Clair, 295; Seymour 61.
  12. 13St Clair, 295.
  13. 14St. Clair, 283–287.
  14. 15St. Clair, 306.
  15. 16St. Clair, 308–309.
  16. 17Bennett, An Introduction, 16–17.
  17. 18Sunstein, 38–40; Seymour, 53; see also Clemit, "Legacies of Godwin and Wollstonecraft" (CC), 29.
  18. 19Seymour, 61.
  19. 20Sunstein, 58; Spark, 15.
  20. 21Seymour, 74–75.
  21. 22Quoted in Seymour, 72.
  22. 23Seymour, 71–74.
  23. 24Spark, 17–18; Seymour, 73–86.
  24. 25Qtd. in Spark, 17.
  25. 26St Clair, 358.
  26. 27Bennett, An Introduction, 17; St Clair, 357; Seymour, 89.
  27. 28Sunstein, 70–75; Seymour, 88; St. Clair, 329–335.
  28. 29St. Clair, 355.
  29. 30Spark, 19–22; St Clair, 358.
  30. 31Garrett, 19.
  31. 32Garrett, 20.
  32. 33Seymour, 94, 100; Spark, 22–23; St. Clair, 355.
  33. 34Letter to Maria Gisborne, 30 October – 17 November 1834. Seymour, 49.
  34. 35St Clair, 373; Seymour, 89 n, 94–96; Spark, 23 n2.
  35. 36Spark, 24; Seymour, 98–99.
  36. 37Quoted in Sunstein, 84.
  37. 38Garrett, 23.
  38. 39Spark, 26–30.
  39. 40Spark, 30; Seymour, 109, 113.
  40. 41BookThe Journals of Mary Shelley, 1814–1844Johns Hopkins University Press — 1995
  41. 42BookThe Journals of Claire ClairmontHarvard University Press — 1968
  42. 43JournalThe "Paradise of the Mothersons": Frankenstein and The Empire of the NairsDavid S. Neff — 1996
  43. 44BookAbolir le patriarcat. L'utopie féministe de James Henry Lawrence (1773–1840)Anne Verjus — Presses universitaires de Saint-Étienne — 2025
  44. 45St Clair, 318.
  45. 46Bennett, An Introduction, 20; St Clair, 373; Sunstein, 88–89; Seymour, 115–116.
  46. 47Spark, 31–32.
  47. 48Spark, 36–37; St Clair, 374.
  48. 49Sunstein, 91–92; Seymour, 122–123.
  49. 50"Journal 6 December—Very Unwell. Shelley & Clary walk out, as usual, to heaps of places...A letter from Hookham to say that Harriet has been brought to bed of a son and heir. Shelley writes a number o
  50. 51Garrett, 25.
  51. 52Garrett, 26.
  52. 53Spark, 38–44.
  53. 54St Clair, 375.
  54. 55Sunstein, 94–97; Seymour, 127
  55. 56Spark, 41–46; Seymour, 126–127; Sunstein, 98–99.
  56. 57Sunstein speculates that Mary Shelley and Jefferson Hogg made love in April 1815. (Sunstein, 98–99)
  57. 58Seymour, 128.
  58. 59Quoted in Spark, 45.
  59. 60St Clair, 375; Spark, 45, 48.
  60. 61Sunstein, 93–94, 101; Seymour, 127–128, 130.
  61. 62Sunstein, 101–103.
  62. 63Gittings and Manton, 28–31.
  63. 64Mary Shelley, Frankenstein and the Villa DiodatiGreg Buzwell — British Library — 15 May 2014
  64. 65Sunstein, 117.
  65. 66Gittings and Manton, 31; Seymour, 152. Sometimes spelled "Chappuis"; Wolfson, Introduction to Frankenstein, 273.
  66. 67BookMary Shelley: romance and realityEmily W. Sunstein — Johns Hopkins University Press — 1991
  67. 68Paragraph 6, Introduction to the 1831 edition of Frankenstein; Sunstein, 118.
  68. 69The violent storms were, it is now known, a repercussion of the volcanic eruption of Mount Tambora in Indonesia in the previous year (Sunstein, 118). See also The Year Without a Summer.
  69. 70Para. 7, Intro., Frankenstein 1831 edition
  70. 71BookDe Quincey's Gothic MasqueradePatrick Bridgwater — Rodopi — 2004
  71. 72Para. 8, Intro., Frankenstein 1831 edition
  72. 73Para. 10, Intro., Frankenstein 1831 edition
  73. 75BookFrankenstein or, The Modern PrometheusMary W. Shelley — Henry Colburn and Richard Bentley — 1831
  74. 76Quoted in Spark, 157, from Mary Shelley's introduction to the 1831 edition of Frankenstein.
  75. 77Seymour argues that evidence from Polidori's diary conflicts with Mary Shelley's account of when the idea came to her (157).
  76. 79Bennett, An Introduction, 30–31; Sunstein, 124.
  77. 80NewsFrankenstein's hour of creation identified by astronomersTim Radford — 26 September 2011
  78. 81Seymour, 195–196.
  79. 82JournalThe Birth of 'Frankenstein'Jennifer Howard — 7 November 2008
  80. 83Robinson 1996, part 1, p. lxvii, quoted in Jones 1998.
  81. 86Sunstein, 124–125; Seymour, 165.
  82. 87St Clair, 413; Seymour, 175.
  83. 88Sunstein, 129; St Clair, 414–15; Seymour, 176.
  84. 89Spark, 54–55; Seymour, 176–177.
  85. 90London, England Church of England Marriages and Banns 1754-1938 subscriber accessed on Ancestry.co.uk
  86. 91Spark, 57; Seymour, 177.
  87. 92Alba was renamed "Allegra" in 1818. (Seymour, 177)
  88. 93Spark, 58; Bennett, An Introduction, 21–22.
  89. 94Seymour, 185; Sunstein, 136–37.
  90. 95Spark, 60–62; St Clair, 443; Sunstein, 143–49; Seymour, 191–92.
  91. 96St Clair, 445.
  92. 97Gittings and Manton, 39–42; Spark, 62–63; Seymour, 205–06.
  93. 98Bennett, An Introduction, 43.
  94. 99At various times, the Shelleys lived at Livorno, Bagni di Lucca, Venice, Este, Naples, Rome, Florence, Pisa, Bagni di Pisa, and San Terenzo.
  95. 100Seymour, 214–16; Bennett, An Introduction, 46.
  96. 101Clara died of dysentery at the age of one, and William of malaria at three and a half. (Seymour, 214, 231)
  97. 102Sunstein, 170–71, 179–82, 191.
  98. 103Quoted in Seymour, 233.
  99. 104Bennett, An Introduction, 47, 53.
  100. 105Spark, 72.
  101. 106Sunstein, 384–85.
  102. 107Bennett, An Introduction, 115.
  103. 108Seymour, 235–36.
  104. 109Seymour, 251.
  105. 110Bieri, 170–76; Seymour, 267–70, 290; Sunstein, 193–95, 200–01.
  106. 111Bennett, An Introduction, 43–44; Spark, 77, 89–90; Gittings and Manton, 61–62.
  107. 112The Williamses were not technically married; Jane was still the wife of an army officer named Johnson.
  108. 113Holmes, 464; Bieri, 103–04.
  109. 114Gittings and Manton, 46.
  110. 115Gittings and Manton, 46; Seymour, 221–22.
  111. 116Spark, 73; Seymour, 224; Holmes, 469–70.
  112. 117Journals, 249–50 n3; Seymour, 221; Holmes, 460–74; Bieri, 103–12.
  113. 118Elise had been employed by Byron as Allegra's nurse. Mary Shelley stated in a letter that Elise had been pregnant by Paolo at the time, which was the reason they had married, but not that she had had
  114. 119Seymour, 221; Spark, 86; Letter to Isabella Hoppner, 10 August 1821, Selected Letters, 75–79.
  115. 120Seymour, 221.
  116. 121"Establishing Elena Adelaide's parentage is one of the greatest bafflements Shelley left for his biographers." (Bieri, 106)
  117. 122Holmes, 466; Bieri, 105.
  118. 123Garrett, 55.
  119. 124Garrett, 56–57.
  120. 125Garrett, 57–59.
  121. 126Garrett, 59.
  122. 127Spark, 79; Seymour, 292.
  123. 128Seymour, 301. Holmes, 717; Sunstein, 216.
  124. 129Gittings and Manton, 71.
  125. 130Holmes, 725; Sunstein, 217–218; Seymour, 270–273.
  126. 131Gittings and Manton, 71; Holmes, 715.
  127. 132Seymour, 283–284, 298.
  128. 133Holmes, 728.
  129. 134Seymour, 298.
  130. 135Letter to Maria Gisborne, 15 August 1815, Selected Letters, 99.
  131. 136Seymour, 302–307.
  132. 137Qtd. in Seymour, 319.
  133. 138Spark, 100–104.
  134. 139Spark, 102–103; Seymour, 321–322.
  135. 140Spark, 106–107; Seymour, 336–337; Bennett, An Introduction, 65.
  136. 141Seymour, 362.
  137. 142Spark, 108.
  138. 143BookThe Cambridge Companion to FrankensteinDiane Long Hoeveler — Cambridge University Press — 2016
  139. 144Spark, 116, 119.
  140. 145Seymour, 341, 363–365.
  141. 146Spark, 111.
  142. 147Spark, 111–113; Seymour, 370–371.
  143. 148Seymour, 543.
  144. 149Spark, 117–119.
  145. 150Dods, who had an infant daughter, assumed the name Walter Sholto Douglas and was accepted in France as a man.
  146. 151Seymour, 384–385.
  147. 152Seymour, 389–390.
  148. 153Seymour, 404, 433–435, 438.
  149. 154Seymour, 406.
  150. 155Seymour, 450, 455.
  151. 156Seymour, 453.
  152. 157de Boinville, Barbara. At the Center of the Circle: Harriet de Boinville (1773-1847) and the Writers She Influenced During Europe's Revolutionary Era. (2023). Washington, DC: New Academia Publishing,
  153. 158Seymour, 465.
  154. 159Garrett, 98.
  155. 160Garrett, 99.
  156. 161See Bennett, Introduction to Selected Letters, xx, and Mary Shelley's letter of 24 May 1828, with Bennett's note, 198–199.
  157. 162Spark, 122.
  158. 163Seymour, 401–402, 467–468.
  159. 164Spark, 133–134; Seymour, 425–426; Bennett, Introduction to Selected Letters, xx.
  160. 165Beauclerk married Ida Goring in 1838 and, after Ida's death, Mary Shelley's friend Rosa Robinson in 1841. A clear picture of Mary Shelley's relationship with Beauclerk is difficult to reconstruct from
  161. 166Spark, 124; Seymour, 424.
  162. 167Spark, 127; Seymour, 429, 500–501.
  163. 168Seymour, 489.
  164. 169Spark, 138.
  165. 170Seymour, 495.
  166. 171Spark, 140; Seymour, 506–507.
  167. 172Spark, 141–142; Seymour, 508–510.
  168. 173Seymour, 515–516; Bieri, 112.
  169. 174According to Bieri, Medwin claimed to possess evidence relating to Naples. Medwin is the source for the theory that the child registered by Percy Shelley in Naples was his daughter by a mystery woman.
  170. 175Sunstein, 383–384.
  171. 176Spark, 143; Seymour, 528.
  172. 177BookThe Palgrave Literary Dictionary of Mary Wollstonecraft ShelleyMartin Garrett — Palgrave Macmillan UK — 2019
  173. 178Spark, 144; Bennett, Introduction to Selected Letters, xxvii.
  174. 179Seymour, 540.
  175. 180Bennett, "Mary Shelley's letters" (CC), 212–213.
  176. 181Mary Shelley, Introduction to 1831 edition of Frankenstein.
  177. 182Nora Crook, "General Editor's Introduction", Mary Shelley's Literary Lives, Vol. 1, xiv.
  178. 183Sussman, 163; St Clair, 297; Sunstein, 42.
  179. 184Seymour, 55; Carlson, 245; "Appendix 2: 'Mounseer Nongtongpaw': Verses formerly attributed to Mary Shelley", Travel Writing: The Novels and Selected Works of Mary Shelley, Vol. 8, Ed. Jeanne Moskal, L
  180. 185Quoted in Wolfson, Introduction to Frankenstein, xvii.
  181. 186Mellor, 184.
  182. 187See Nitchie, Introduction to Mathilda, and Mellor, 143.
  183. 188Bennett, An Introduction, 74; Lokke, "The Last Man" (CC), 119.
  184. 189Qtd. in Clemit, Godwinian Novel, 190.
  185. 190Clemit, Godwinian Novel, 191.
  186. 191See, for example, Clemit, Godwinian Novel, 190–192; Clemit, "From The Fields of Fancy to Matilda", 64–75; Blumberg, 84–85.
  187. 192Shelley, Valperga, 376–378.
  188. 193Clemit, Godwinian Novel, 140–141, 176; Clemit, "Legacies of Godwin and Wollstonecraft" (CC), 31.
  189. 194Clemit, Godwinian Novel, 143–144; Blumberg, 38–40.
  190. 195Clemit, Godwinian Novel, 144.
  191. 196Clemit, Godwinian Novel, 187.
  192. 197Clemit, Godwinian Novel, 187, 196.
  193. 198Curran, "Valperga" (CC), 106–107; Clemit, Godwinian Novel, 179; Lew, "God's Sister" (OMS), 164–165.
  194. 199Clemit, Godwinian Novel, 183; Bennett, "Political Philosophy", 357.
  195. 200Lew, "God's Sister" (OMS), 173–178.
  196. 201Bunnell, 132; Lynch, "Historical novelist" (CC), 143–144; see also Lew, "God's Sister" (OMS), 164–165.
  197. 202Mellor, xi.
  198. 203Hoeveler, "Frankenstein, feminism, and literary theory" (CC), 46.
  199. 204Hoeveler, "Frankenstein, feminism, and literary theory" (CC), 46–47; Mellor, 40–51.
  200. 205Mellor, 40.
  201. 206Mellor, 41.
  202. 207Gilbert and Gubar, 220; see also, Hoeveler, "Frankenstein, feminism, and literary theory" (CC), 47–48; see also, 52–53.
  203. 208Poovey, 115–116, 126–127.
  204. 209Poovey, 131; see also Hoeveler, "Frankenstein, feminism, and literary theory" (CC), 48–49.
  205. 210Poovey, 124–125.
  206. 211Hoeveler, "Frankenstein, feminism, and literary theory" (CC), 49; Myers, "The Female Author", 160–172.
  207. 212Mellor, 55–56.
  208. 213Mellor, 57.
  209. 214Mellor, 56–57.
  210. 215Mellor, 117.
  211. 216Mellor, 125.
  212. 217Vargo, Introduction to Lodore, 21, 32.
  213. 218Bennett, An Introduction, 92, 96.
  214. 219Ellis, "Falkner and other fictions" (CC), 152–153; O'Sullivan, "A New Cassandra" (OMS), 154.
  215. 220Ellis, "Falkner and other fictions" (CC), 159–161.
  216. 221Spark, 154.
  217. 222Mellor, "Making a 'monster'" (CC), 14; Blumberg, 54; Mellor, 70.
  218. 223Blumberg, 47; see also Mellor, 77–79.
  219. 224Blumberg, 47; see also 86–87 for a similar discussion of Castruccio in Valperga; Mellor, 152.
  220. 226Bennett, An Introduction, 36–42.
  221. 227Blumberg, 21.
  222. 228Blumberg, 37, 46, 48; Mellor, 70–71, 79.
  223. 229Lokke, "The Last Man" (CC), 116; see also Mellor, 157.
  224. 230Lokke, "The Last Man" (CC), 128; see also Clemit, Godwinian Novel, 197–198.
  225. 231Clemit, Godwinian Novel, 198; see also 204–205.
  226. 232Paley, "Apocalypse without Millennium" (OMS), 111–121; Mellor, 159.
  227. 233BookMary Shelley in Her TimesBetty T. Bennett et al. — Johns Hopkins University Press — 2000
  228. 234BookA Mary Shelley EncyclopediaLucy Morrison et al. — Greenwood Publishing Group — 2003
  229. 235BookMary Shelley: Her Circle and Her ContemporariesLucy Morrison — Cambridge Scholars Publishing — 2010
  230. 236Sites, "Utopian Domesticity", 82.
  231. 237Poovey, 161.
  232. 238Mellor, 86.
  233. 239Mellor, 87.
  234. 240Bennett, An Introduction, 121.
  235. 241Blumberg, 32.
  236. 242Blumberg, 54.
  237. 243Hofkosh, "Disfiguring Economies" (OMS), 207, 213.
  238. 244Sussman, "Stories for The Keepsake" (CC), 163; Hofkosh, "Disfiguring Economies" (OMS), 205.
  239. 245Qtd. in Sussman, "Stories for The Keepsake" (CC), 163.
  240. 246Sussman, "Stories for The Keepsake" (CC), 163–165.
  241. 247Sussman, "Stories for The Keepsake" (CC), 167.
  242. 248Sussman, "Stories for The Keepsake" (CC), 167, 176; Hofkosh, "Disfiguring Economies", (OMS), 207.
  243. 249Bennett, An Introduction, 72.
  244. 250Seymour, 187.
  245. 251Moskal, "Travel writing" (CC), 242.
  246. 252Bennett, An Introduction, 24–29.
  247. 253Moskal, "Travel writing" (CC), 244; Clemit, "Legacies of Godwin and Wollstonecraft" (CC), 30.
  248. 254Bennett, An Introduction, 114–115, 118; Orr, "Mary Shelley's Rambles "; Schor, "Mary Shelley in Transit" (OMS), 239.
  249. 255Qtd. in Schor, "Mary Shelley in Transit" (OMS), 239.
  250. 256Bennett, An Introduction, 117.
  251. 257Moskal, "Travel writing", 247–250; Orr, "Mary Shelley's Rambles ".
  252. 258Mary Shelley donated the £60 fee for Rambles to the exiled Italian revolutionary Ferdinand Gatteschi, whose essay on the Carbonari rebels she included in the book. (Orr, "Mary Shelley's Rambles ")
  253. 259Moskal, "Travel writing" (CC), 247–250; Bennett, An Introduction, 115.
  254. 260Orr, "Mary Shelley's Rambles ".
  255. 261Bennett, An Introduction, 117–118.
  256. 262Nora Crook, "General Editor's Introduction", Mary Shelley's Literary Lives, Vol. 1, xix; see also Kucich, "Biographer" (CC), 227.
  257. 263Kucich, "Biographer" (CC), 227–228.
  258. 264However, "precise attribution of all the biographical essays" in these volumes "is very difficult", according to Kucich.
  259. 265Kucich, "Biographer" (CC), 228.
  260. 266Nora Crook, "General Editor's Introduction", Mary Shelley's Literary Lives, Vol. 1, xxvii; Tilar J. Mazzeo, "Introduction by the editor of Italian Lives", Mary Shelley's Literary Lives, Vol. 1, xli.
  261. 267Lisa Vargo, "Editor's Introduction Spanish and Portuguese Lives", Mary Shelley's Literary Lives and other Writings, Vol. 2, xxii.
  262. 268Qtd. in Kucich, "Biographer" (CC), 228.
  263. 269Kucich, "Biographer" (CC), 236.
  264. 270Kucich, "Biographer" (CC), 230–231, 233, 237; Nora Crook, "General Editor's Introduction", Mary Shelley's Literary Lives, Vol. 1, xxviii; Clarissa Campbell Orr, "Editor's Introduction French Lives", M
  265. 271Kucich, "Biographer" (CC), 235; see Nora Crook, "General Editor's Introduction", Mary Shelley's Literary Lives, Vol. 1, xxv for the exact number; Tilar J. Mazzeo, "Introduction by the editor of Italia
  266. 272Shelley, "Preface", Poetical Works of Percy Bysshe Shelley, vii.
  267. 273Quoted in Wolfson, "Mary Shelley, editor" (CC), 205.
  268. 274Spark, 105–106.
  269. 275Sir Timothy Shelley made his allowance to Mary (on behalf of Percy Florence) dependent on her not putting the Shelley name in print.
  270. 276Wolfson, "Mary Shelley, editor" (CC), 193, 209 n12; Bennett, An Introduction, 112; Fraistat, "Shelley Left and Right", Shelley's Prose and Poetry, 645.
  271. 277Wolfson, "Mary Shelley, editor" (CC), 193.
  272. 278Bennett, An Introduction, 111–112.
  273. 279Qtd. in Wolfson, "Mary Shelley, editor" (CC), 193.
  274. 280Blumberg, 162.
  275. 281Fraistat, "Shelley Left and Right", Shelley's Prose and Poetry, 645–646; see also Seymour, 466; Wolfson, "Mary Shelley, editor" (CC), 195, 203; Favret, "Sympathy and Irony" (OMS), 19, 22.
  276. 282Favret, "Sympathy and Irony" (OMS), 28.
  277. 283Wolfson, "Mary Shelley, editor" (CC), 194; Fraistat, "Shelley Left and Right", Shelley's Prose and Poetry, 647, Favret, "Sympathy and Irony" (OMS), 18, 29.
  278. 284Wolfson, "Mary Shelley, editor" (CC), 203.
  279. 285Wolfson, "Mary Shelley, editor" (CC), 198.
  280. 286Bennett, Introduction to Selected Letters, xxiii–xxiv.
  281. 287Seymour, 466; Blumberg, 160–161, 169–170.
  282. 288Blumberg, 156.
  283. 289Wolfson, "Editorial Privilege" (OMS), 68, n. 34.
  284. 290Wolfson, "Mary Shelley, editor" (CC), 199; Spark, 130.
  285. 291Bennett, An Introduction, 112; Wolfson, "Mary Shelley, editor" (CC), 209 n16.
  286. 292Seymour, 467–468; Blumberg, 165–166; Townsend, 362.
  287. 293Spark, 130–131; Seymour, 467–468.
  288. 294Wolfson, "Mary Shelley, editor" (CC), 210 n26.
  289. 295Bennett, "Finding Mary Shelley", 300–301; see also Wolfson, "Mary Shelley, editor" (CC), 198; Bennett, An Introduction, 110.
  290. 296Mellor, xi, 39.
  291. 297Qtd. in Blumberg, 2.
  292. 298Bennett, "Finding Mary Shelley", 291.
  293. 299"Introduction" (OMS), 5.
  294. 300Seymour, 550.
  295. 301Bennett, An Introduction, ix–xi, 120–121; Schor, Introduction to Cambridge Companion, 1–5; Seymour, 548–561.
  296. 302Schor, "Frankenstein and film" (CC).
  297. 303NewsMary Wollstonecraft ShelleyWill Bowers — 29 November 2018
  298. 304Bennett, "Finding Mary Shelley", 292–293.
  299. 305Bennett, "Finding Mary Shelley", 298–299.
  300. 306Qtd. in Bennett, "Finding Mary Shelley", 298.
  301. 307JournalWilliam Godwin, Chivalry, and Mary Shelley's The Fortunes of Perkin WarbeckWilliam D. Brewer — Spring 1999
  302. 308JournalShelley's Last ResidenceSylva Norman — Keats–Shelley Association of America — 1953

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