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F. Scott Fitzgerald

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— CH. 1 · INTRODUCTION —

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F. Scott Fitzgerald

8 sections
  • F. Scott Fitzgerald sold fewer than 23,000 copies of The Great Gatsby in its first year, and the novel posted tepid sales for the rest of his life. He died in 1940 believing his life was a failure and his work forgotten. The few critics who knew his name remembered a failed alcoholic, the embodiment of Jazz Age decadence. Yet by 1960, that same novel was selling 100,000 copies a year. By the 21st century it had sold millions and become required reading in high school and college classrooms.

    Francis Scott Key Fitzgerald was born in 1896 and died at 44. In between, he published four novels, four story collections, and 164 short stories. He achieved transient success and fortune in the 1920s. He popularized the very phrase, the Jazz Age, that would later be used to dismiss him. How does a writer become a household name, lose it entirely, and then return from the dead as what one critic called an American version of the Dying God? Why did the woman he married almost ruin him, and inspire some of his finest lines? And how did a poor boy from St. Paul build a body of work about the unbridgeable gulf between the rich and everyone else?

  • Charles Garfield King, the imperious father of Chicago debutante Ginevra King, purportedly told a young Fitzgerald that "poor boys shouldn't think of marrying rich girls." That sentence followed Fitzgerald the rest of his life. He had fallen in love with the 16-year-old Ginevra over a Christmas break during his sophomore year at Princeton, where he was one of the few Catholics in the student body. Her wealthy family belittled his courtship because of his lower-class status compared to her other suitors.

    Fitzgerald himself described the wound plainly. He was "a poor boy in a rich town; a poor boy in a rich boy's school; a poor boy in a rich man's club at Princeton." He had been named after a distant cousin, Francis Scott Key, who wrote the lyrics to "The Star-Spangled Banner" in 1814. His mother was the daughter of an Irish immigrant who grew wealthy as a wholesale grocer. His father, Edward Fitzgerald, ran a wicker-furniture manufacturing business that failed one year after Scott's birth.

    Edward then joined Procter & Gamble as a salesman in Buffalo, New York, only to be fired in March 1908. His mother's inheritance kept the family in a middle-class lifestyle even as his alcoholic father went destitute. The young Fitzgerald had his first piece of fiction published in his school newspaper at age 13. At the Newman School, a Catholic prep school in New Jersey, Father Sigourney Fay recognized his literary potential and encouraged him to become a writer. Rejected by Ginevra as an unsuitable match, a suicidal Fitzgerald enlisted in the United States Army amid World War I.

  • At Fort Leavenworth, Fitzgerald served under the command of Captain Dwight D. Eisenhower, the future general of the Army and President of the United States. He purportedly chafed under Eisenhower's authority and disliked him intensely. Hoping to publish a novel before what he assumed would be his death in Europe, Fitzgerald wrote a 120,000-word manuscript called The Romantic Egotist in three months. Scribner's rejected it, though the reviewer Max Perkins praised his writing and urged him to revise and resubmit.

    In June 1918, Fitzgerald was garrisoned near Montgomery, Alabama, where at a country club he met Zelda Sayre, a 17-year-old Southern belle. She was the granddaughter of a Confederate senator whose extended family owned the first White House of the Confederacy, and one of the most celebrated debutantes of Montgomery's country club set. Three days after Ginevra married a wealthy Chicago businessman, Fitzgerald professed his affection for Zelda in September 1918.

    Zelda declined to marry him until he proved financially successful. Discharged in February 1919, Fitzgerald moved to New York City and begged newspaper editors for work in vain. He took a job at the Barron Collier advertising agency and lived in a single Manhattan room. He earned a small raise for the slogan "We keep you clean in Muscatine," written for an Iowa laundry. Rejected over 120 times, he sold only one story, "Babes in the Woods," for a pittance of $30. In June 1919, unconvinced he could support her, Zelda broke off the engagement.

  • Defeated and rudderless, Fitzgerald publicly threatened to jump from a window ledge of the Yale Club and carried a revolver daily while contemplating suicide. Two women had rejected him in succession. He detested his advertising job, his stories would not sell, and he could not afford new clothes. In July, he quit and returned to St. Paul, a social recluse on the top floor of his parents' home at 599 Summit Avenue.

    Abstaining from alcohol and parties, Fitzgerald worked day and night to revise The Romantic Egotist into This Side of Paradise, an autobiographical account of his Princeton years and his romances. While revising, he took a job repairing train car roofs at the Northern Pacific Shops. One evening in the fall of 1919, the postman delivered a telegram from Scribner's accepting his manuscript. The ecstatic Fitzgerald ran down the streets of St. Paul and flagged down random automobiles to share the news.

    The novel appeared in bookstores on the 26th of March 1920 and became an instant success, selling roughly 40,000 copies in its first year. Critics such as H. L. Mencken hailed it as the best American novel of the year. F. Scott Fitzgerald became a household name. With his new fame, he could earn far higher rates for his stories, and The Saturday Evening Post put his name on its May 1920 cover. Zelda resumed the engagement. Yet his feelings had cooled, and he confided to a friend, "I wouldn't care if she died, but I couldn't stand to have anybody else marry her." They married on the 3rd of April 1920 at St. Patrick's Cathedral in New York.

  • At the Biltmore Hotel, Scott did handstands in the lobby while Zelda slid down the banisters, until the hotel asked them to leave for disturbing other guests. They moved two blocks to the Commodore Hotel, where they spent half an hour spinning in the revolving door. Fitzgerald likened their behavior to two "small children in a great bright unexplored barn." Writer Dorothy Parker first met them riding on the roof of a taxi and recalled, "their youth was striking. Everyone wanted to meet him."

    Many admirers sought the acquaintance of one of the most celebrated novelists of the Jazz Age, a term Fitzgerald popularized in his essays and stories. He met sports columnist Ring Lardner, journalist Rebecca West, cartoonist Rube Goldberg, and others, and grew close to critics George Jean Nathan and H. L. Mencken. He described the era as racing "along under its own power, served by great filling stations full of money." Riding in a taxi one afternoon, he wept because he realized he would never be as happy again.

    Gin-and-fruit concoctions increasingly fueled the couple's social life and led to bitter quarrels and accusations of infidelity. On the 26th of October 1921, Zelda gave birth to their only child, Frances Scott "Scottie" Fitzgerald. Emerging from the anesthesia, Zelda said, "I hope it's beautiful and a fool, a beautiful little fool." Fitzgerald later used some of her words almost verbatim for Daisy Buchanan's dialogue in The Great Gatsby.

  • Max Gerlach was a Long Island neighbor who never wore the same shirt twice, used the phrase "old sport," and fostered myths about himself, including a claimed kinship with the German Kaiser. A gentleman bootlegger who lived like a millionaire after serving as a major in the American Expeditionary Forces, Gerlach threw lavish parties that flaunted his new wealth. These details would inspire Fitzgerald in creating his next work.

    Fitzgerald had been planning the novel since 1923, telling his publisher Maxwell Perkins he wanted a work that was beautiful and intricately patterned. He had written 18,000 words by mid-1923 but discarded most of it as a false start. Initially titled Trimalchio, an allusion to the Latin Satyricon, it followed the rise of a parvenu seeking wealth to win the woman he loves. "The whole idea of Gatsby," he explained, "is the unfairness of a poor young man not being able to marry a girl with money. This theme comes up again and again because I lived it."

    Work slowed on the French Riviera, where Zelda became infatuated with a French naval aviator and, after six weeks, asked for a divorce. The aviator left, and soon after Zelda overdosed on sleeping pills, opening a permanent breach in the marriage. In Rome, on the 1st of December 1924, a drunken Fitzgerald punched a police officer and was severely beaten. He submitted the final manuscript in February 1925 and declined a $10,000 offer for the serial rights rather than delay publication. Released on the 10th of April 1925, Gatsby drew praise from Willa Cather, T. S. Eliot, and Edith Wharton, yet sold fewer than 23,000 copies by year's end. Its acclaim and popularity would take decades to arrive.

  • Ernest Hemingway was a relatively unknown writer when Fitzgerald first met him in May 1925 and grew to admire him. In Paris, Fitzgerald also befriended Gertrude Stein, bookseller Sylvia Beach, novelist James Joyce, and poet Ezra Pound, members of the American expatriate community later tied to the Lost Generation. Hemingway recalled that in this early period Fitzgerald became his most loyal friend, even as he disliked Zelda and called her "insane" in his memoir, A Moveable Feast.

    Hemingway alleged that Zelda wanted her husband to write lucrative magazine stories rather than novels to support her lifestyle. "I always felt a story in the Post was tops," Zelda recalled, "But Scott couldn't stand to write them." Fitzgerald would first write a story in an authentic manner, then rewrite it to add salable plot twists. Hemingway called this practice "whoring," and it became a sore point between them.

    Zelda once belittled Fitzgerald with homophobic slurs and accused him of a homosexual relationship with Hemingway. In his private notebook Fitzgerald wrote of Hemingway, "I really loved him, but of course it wore out like a love affair." After two unpleasant years in Europe that strained their marriage, the Fitzgeralds returned to America in December 1926. Film producer John W. Considine Jr. soon invited Fitzgerald to Hollywood to write a flapper comedy for United Artists, a brief sojourn that would introduce him to a 17-year-old starlet named Lois Moran.

  • By 1936, Fitzgerald's book royalties amounted to $80. The Great Depression had branded his work elitist and materialistic, and writer Budd Schulberg recalled that his generation "consciously and a little belligerently turned our backs on Fitzgerald." His fourth novel, Tender Is the Night, debuted in April 1934 to mixed reviews and sold about 12,000 copies in its first three months. His alcoholism brought cardiomyopathy, coronary artery disease, and recurring tuberculosis. From 1933 to 1937 he was hospitalized for alcoholism eight times.

    A lucrative MGM screenwriting contract drew Fitzgerald back to Hollywood in 1937, where he earned his highest annual income, $29,757.87, and spent most of it on Zelda's treatment and Scottie's schooling. Director Billy Wilder likened his Hollywood foray to "a great sculptor who is hired to do a plumbing job." Failing at sobriety, Fitzgerald would ask strangers, "I'm F. Scott Fitzgerald. You've read my books. You've read The Great Gatsby, haven't you?" When he tried to buy his companion Sheilah Graham a set of his novels, he found bookstores had stopped carrying them.

    Fitzgerald achieved sobriety over a year before his death, and Graham called their last year together one of their happiest. On the 21st of December 1940, the day after a film premiere, he grabbed the mantelpiece and collapsed without a sound. He died of a heart attack at 44. Only thirty people attended his funeral in Bethesda, Maryland. Dorothy Parker, viewing the body, murmured "the poor son of a bitch," a line from Jay Gatsby's funeral.

    Then the dead man rose. Edmund Wilson completed the unfinished fifth novel, The Last Tycoon, within a year and included Gatsby in the edition. During World War II, the Council on Books in Wartime distributed free Armed Services Edition copies to American soldiers, and by 1945 over 123,000 copies had reached U.S. troops. By the 1950s Fitzgerald was a cult figure, more widely known than at any point in his life. Cyril Connolly called him an American version of the Dying God, an Adonis of letters. In 1971 his childhood Summit Terrace home in St. Paul, a house Fitzgerald detested as an architectural monstrosity, became a National Historic Landmark.

Updated

Common questions

Who was F. Scott Fitzgerald and what did he write?

F. Scott Fitzgerald (1896-1940) was an American novelist, essayist, and short story writer best known for novels depicting the flamboyance and excess of the Jazz Age. He published four novels, four story collections, and 164 short stories, including This Side of Paradise, The Beautiful and Damned, The Great Gatsby, and Tender Is the Night.

How many copies did The Great Gatsby sell when F. Scott Fitzgerald was alive?

The Great Gatsby was a commercial failure in F. Scott Fitzgerald's lifetime, selling fewer than 23,000 copies in its first year after its release on the 10th of April 1925. It experienced tepid sales for the rest of his life, and by 1960 it was selling 100,000 copies a year.

How did F. Scott Fitzgerald meet his wife Zelda Sayre?

F. Scott Fitzgerald met Zelda Sayre at a country club near Montgomery, Alabama, in 1918 while he was garrisoned at Camp Sheridan during World War I. Zelda, a 17-year-old Southern belle and granddaughter of a Confederate senator, refused to marry him until he proved financially successful, which he did after This Side of Paradise was published in 1920.

Why did F. Scott Fitzgerald become a screenwriter in Hollywood?

F. Scott Fitzgerald turned to screenwriting because of dire financial straits, accepting an MGM contract in 1937 that paid his highest annual income of $29,757.87. He spent most of it on Zelda's psychiatric treatment and his daughter Scottie's school expenses, and his only screenplay credit was Three Comrades (1938).

How did F. Scott Fitzgerald die?

F. Scott Fitzgerald died of a heart attack due to occlusive coronary arteriosclerosis on the 21st of December 1940, at age 44, in Hollywood. He had achieved sobriety over a year before his death, and his companion Sheilah Graham witnessed him collapse in their apartment.

Why is F. Scott Fitzgerald considered one of the greatest American writers?

F. Scott Fitzgerald is now widely regarded as one of the greatest American writers of the 20th century, largely because of The Great Gatsby, hailed by some critics as the Great American Novel. He did not receive critical acclaim until after his death, when wartime distribution and renewed criticism revived his reputation, and his work became required reading in many high school and college classes.

All sources

191 references cited across the entry

  1. 1BookThe Shores of LightEdmund Wilson
  2. 2Donaldson (1983) p. 2Donaldson — 1983
  3. 3Bruccoli (2002) p. 48Bruccoli — 2002
  4. 4NewsF. Scott and Zelda FitzgeraldRick Mulrooney — Wilmington News Journal — November 16, 2006
  5. 5Smith (2003)Smith — 2003
  6. 6Corrigan (2014) p. 58Corrigan — 2014
  7. 7Bruccoli (2002) p. 80,82Bruccoli — 2002
  8. 8Donaldson (1983) p. 60Donaldson — 1983
  9. 9Bruccoli (2002) p. 111Bruccoli — 2002
  10. 10Fitzgerald, Fitzgerald (2002) p. 314–315Fitzgerald, Fitzgerald — 2002
  11. 11Turnbull (1962) p. 70Turnbull — 1962
  12. 12Bruccoli (2002) p. 57Bruccoli — 2002
  13. 13Bruccoli (2002) p. 91Bruccoli — 2002
  14. 14Mizener (1951) p. 85, 89, 90Mizener — 1951
  15. 15Bruccoli (2002) p. 91, 111Bruccoli — 2002
  16. 16Bruccoli (2002) p. 95Bruccoli — 2002
  17. 17Buller (2005) p. 3Buller — 2005
  18. 18Fitzgerald (1945) p. 89Fitzgerald — 1945
  19. 19Turnbull (1962) p. 111Turnbull — 1962
  20. 20Bruccoli (2002) p. 479Bruccoli — 2002
  21. 21Turnbull (1962) p. 102Turnbull — 1962
  22. 22Bruccoli (2002) p. 437Bruccoli — 2002
  23. 23Bruccoli (2002) p. 128–129Bruccoli — 2002
  24. 24Turnbull (1962) p. 136Turnbull — 1962
  25. 25Fitzgerald (1945) p. 18Fitzgerald — 1945
  26. 26Fitzgerald (1945) p. 15Fitzgerald — 1945
  27. 27Mizener (1951) p. 140Mizener — 1951
  28. 28Mizener (1951) p. 141Mizener — 1951
  29. 29Tate (1998) p. 86Tate — 1998
  30. 30NewsThe Truth About F. Scott Fitzgerald's Drunken Brawl in RomeElisabetta Povoledo — March 27, 2025
  31. 31Hemingway (1964) p. 186Hemingway — 1964
  32. 32Bruccoli (2002) p. 437, 468–469Bruccoli — 2002
  33. 33Buller (2005) p. 6–8Buller — 2005
  34. 34Milford (1970) p. 179Milford — 1970
  35. 35MacKie (1970) p. 17MacKie — 1970
  36. 36Graham, Frank (1958) p. 308Graham, Frank — 1958
  37. 37Graham, Frank (1958) p. 217Graham, Frank — 1958
  38. 38Turnbull (1962) p. 110Turnbull — 1962
  39. 39Oxford CallingRebecca Deniston — November 15, 2020
  40. 40Graham, Frank (1958) p. 333Graham, Frank — 1958
  41. 42Fitzgerald (1945) p. 322Fitzgerald — 1945
  42. 43Butcher (1923) p. 7Butcher — 1923
  43. 44Harvey (1995) p. 76Harvey — 1995
  44. 45Coghlan (1925) p. 11Coghlan — 1925
  45. 46Fitzgerald, Fitzgerald (2002) p. 184Fitzgerald, Fitzgerald — 2002
  46. 47Weaver (1922) p. 3Weaver — 1922
  47. 48Turnbull (1962) p. 150Turnbull — 1962
  48. 49Berman (2014) p. 36Berman — 2014
  49. 50Rand (1996) p. 230Rand — 1996
  50. 51Donaldson (1983) p. 39Donaldson — 1983
  51. 52Rand (1996) p. 239Rand — 1996
  52. 53Bruccoli (2002) p. 496–500Bruccoli — 2002
  53. 54Vogel (2015) p. 29–30, 33, 38–40, 51Vogel — 2015
  54. 55Donaldson (1983) p. 4Donaldson — 1983
  55. 56Donaldson (1983) p. 1Donaldson — 1983
  56. 57Fitzgerald (1945) p. 14Fitzgerald — 1945
  57. 58Mizener (1951) p. 44Mizener — 1951
  58. 59Tate (1998) p. 14Tate — 1998
  59. 60Mizener (1960)Mizener — 1960
  60. 61Jay Gatsby, Failed Intellectual: F. Scott Fitzgerald's Trope for Social StratificationDianne E. Bechtel — Penn State University Press — 2017
  61. 62Max Perkins: Editor of GeniusA. Scott Berg — Simon & Schuster — 1978
  62. 63Fitzgerald and the Idea of SocietyRonald Berman — Penn State University Press — 2014
  63. 64Reevaluating the Hollywood MythJohn Brooks — Penn State University Press — 2011
  64. 65BooksHeywood Broun — April 14, 1920
  65. 68Reader's Companion to F. Scott Fitzgerald's 'Tender is the Night'Matthew J. Bruccoli et al. — University of South Carolina Press — 1996
  66. 69Some Sort of Epic Grandeur: The Life of F. Scott FitzgeraldMatthew J. Bruccoli — University of South Carolina Press — 2002
  67. 70F. Scott Fitzgerald, Lois Moran, and the Mystery of Mariposa StreetRichard Buller — Penn State University Press — 2005
  68. 71Fitzgerald and Leacock Write Two Funny BooksFanny Butcher — July 21, 1923
  69. 72New Fitzgerald Book Proves He's Really a WriterFanny Butcher — April 18, 1925
  70. 73F. Scott FitzgeraldRalph Coghlan — April 25, 1925
  71. 74So We Read On: How The Great Gatsby Came to Be and Why It EnduresMaureen Corrigan — Little, Brown and Company — September 9, 2014
  72. 75A Historical Guide to F. Scott FitzgeraldKirk Curnutt — Oxford University Press — October 2004
  73. 76Authentic History Ku Klux Klan, 1865–1877Susan Lawrence Davis — Anonymous Publisher — 1924
  74. 77Ernest Hemingway: A BiographyMary Dearborn — Alfred A. Knopf — 2017
  75. 78Fool for Love: F. Scott FitzgeraldScott Donaldson — Congdon & Weed — 1983
  76. 79The Great GatsbyKenneth Eble — Johns Hopkins University Press — Winter 1974
  77. 80Conversations with F. Scott FitzgeraldF. Scott Fitzgerald — University of Mississippi Press — 2004
  78. 81Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda FitzgeraldF. Scott Fitzgerald et al. — St. Martin's Press — 2002
  79. 82The Crack-UpF. Scott Fitzgerald — New Directions — 1945
  80. 83The Crack-UpF. Scott Fitzgerald — Spring 1936
  81. 84The Letters of F. Scott FitzgeraldF. Scott Fitzgerald — Charles Scribner's Sons — July 1966
  82. 85The Mystery of the Raymond MortgageF. Scott Fitzgerald — Random House — 1960
  83. 86The Short Stories of F. Scott FitzgeraldF. Scott Fitzgerald — Scribner — 1989
  84. 87This Side of ParadiseF. Scott Fitzgerald — Charles Scribner's Sons — April 1920
  85. 88The Collected Writings of Zelda FitzgeraldZelda Fitzgerald — Charles Scribner's Sons — 1991
  86. 89The Seamy Side of SocietyLillian C. Ford — May 10, 1925
  87. 91Beloved Infidel: The Education of a WomanSheilah Graham et al. — Henry Holt and Company — 1958
  88. 92BooksPercy Hammond — May 5, 1922
  89. 93Redefining the American Dream: The Novels of Willa CatherSally Peltier Harvey — Fairleigh Dickinson University — 1995
  90. 94A Moveable FeastErnest Hemingway — Charles Scribner's Sons — 1964
  91. 95American Literature on Stage and Screen: 525 Works and Their AdaptationsThomas S. Hischak — McFarland & Company — June 18, 2012
  92. 96F. Scott Fitzgerald: A Literary LifeAndrew Hook — Palgrave Macmillan UK — August 2002
  93. 97The Lost WeekendCharles Jackson — Syracuse University Press — 1996
  94. 98The TwentiesAlan Jenkins — Peerage Books — 1974
  95. 99The Younger Generation: Its Young NovelistsMatthew Josephson — University of Virginia — Spring 1933
  96. 100F. Scott Fitzgerald: The Man and His WorkWorld Publishing Company — 1951
  97. 101Ike: An American HeroMichael Korda — HarperCollins Publishers — 2007
  98. 102F. Scott Fitzgerald at Work: The Making of 'The Great Gatsby'Horst H. Kruse — University of Alabama Press — 2014
  99. 104World of BooksJames Latimer — May 9, 1934
  100. 105My Friend Scott FitzgeraldElizabeth Beckwith MacKie — University of South Carolina — 1970
  101. 106All of UsMarshall Maslin — May 12, 1934
  102. 107Exiles from Paradise: Zelda and Scott FitzgeraldSara Mayfield — Delacorte Press — January 1971
  103. 109Exile and the City: F. Scott Fitzgerald's 'The Lost Decade'Philip Mcgowan — Penn State University Press — 2013
  104. 111The Diary of H. L. MenckenH. L. Mencken — Alfred A. Knopf — 1989
  105. 112Scott Fitzgerald: A BiographyJeffrey Meyers — HarperCollins — 1994
  106. 113Zelda: A BiographyNancy Milford — Harper & Row — 1970
  107. 114The Far Side of Paradise: A Biography of F. Scott FitzgeraldArthur Mizener — Houghton Mifflin — 1951
  108. 115Scott Fitzgerald and His WorldArthur Mizener — G.P. Putnam's Sons — 1972
  109. 116The Passing of Jay Gatsby: Class and Anti-Semitism in Fitzgerald's 1920s AmericaMichael Pekarofski — Penn State University Press — 2012
  110. 117America in the Twenties: A HistoryGeoffrey Perrett — Simon & Schuster — 1982
  111. 119Fitzgerald and Cather: The Great GatsbyTom Quirk — Duke University Press — December 1982
  112. 121Against the Current: As I Remember F. Scott FitzgeraldFrances Kroll Ring — Creative Arts Book Company — 1985
  113. 122Mencken: The American IconoclastMarion Elizabeth Rodgers — Oxford University Press — 2005
  114. 123The Book ParadiseKarsten Roedder — March 28, 1926
  115. 124Willa Cather's 'A Lost Lady': The Paradoxes of ChangeSusan J. Rosowski — Autumn 1977
  116. 125Teenage: The Creation of Youth CultureJon Savage — Viking Press — 2007
  117. 126Ashes to Ashes: Mourning and Social Difference in F. Scott Fitzgerald's FictionJonathan Schiff — Susquehanna University Press — 2001
  118. 127Ethnicity in The Great GatsbyPeter Gregg Slater — Duke University Press — January 1973
  119. 128Mastering the Story Market: F. Scott Fitzgerald's Revision of 'The Night before Chancellorsville'Kristin Sommerville et al. — University of Missouri — April 23, 2017
  120. 130The Autobiography Of Alice B. ToklasGertrude Stein — Quinn & Boden Company — 1933
  121. 131The Golden Moment: The Novels of F. Scott FitzgeraldMilton R. Stern — University of Illinois Press — 1970
  122. 133Fitzgerald's The Great Gatsby: A Reader's GuideNicolas Tredell — Continuum Publishing — February 28, 2007
  123. 134Scott FitzgeraldAndrew Turnbull — Charles Scribner's Sons — 1962
  124. 135Turns with a BookwormApril 12, 1925
  125. 138Zelda Sayre, BelleLinda Wagner-Martin — University of North Carolina Press — Summer 2004
  126. 139Better Than 'This Side of Paradise'John V. A. Weaver — March 4, 1922
  127. 141Trimalchio: An Early Version of 'The Great Gatsby'James L. W. III West — Cambridge University Press — July 2002
  128. 142The Bit Between My Teeth: A Literary Chronicle of 1950–1965Edmund Wilson — Farrar, Straus and Giroux — 1965
  129. 143The Shores of Light: A Literary Chronicle of the Twenties and ThirtiesEdmund Wilson — Farrar, Straus, and Young — 1952
  130. 144Why 'The Great Gatsby' is the Great American NovelJoel Achenbach — March 20, 2015
  131. 145Scott Fitzgerald's Last NovelJ. Donald Adams — November 9, 1941
  132. 147Decoding Woody Allen's 'Midnight in Paris'Joseph Berger — May 27, 2011
  133. 148Garrison Keillor Hospitalized for Minor StrokeJulie Bloom — September 9, 2009
  134. 150'Tycoon' Echoes 30's HollywoodVincent Canby — November 18, 1976
  135. 151Gatsby's GirlAsh Carter — May 13, 2013
  136. 152What Makes The Great Gatsby Great?Sarah Churchwell — May 3, 2013
  137. 154Gatsby and MeFrancis Ford Coppola — April 16, 2013
  138. 156Tracing F. Scott Fitzgerald's Minnesota RootsJason Diamond — April 26, 2016
  139. 157'The Great Gatsby' By the NumbersDiedre Donahue — May 7, 2013
  140. 158Scott Fitzgerald and L.I. of 'Gatsby' EraIvana Edwards — September 20, 1992
  141. 160Fitzgerald's 'Radiant World'Thomas Flanagan — December 21, 2000
  142. 161National Register of Historic Places Inventory-Nomination: Summit Terrace / F. Scott Fitzgerald HouseRobert Gamble et al. — United States Department of the Interior National Park Service — December 1968
  143. 162The Downside of Paradise: Fitzgerald's Final DaysNeil Genzlinger — May 24, 2002
  144. 163The Great Gatsby's Creative DestructionNick Gillespie — May 2, 2013
  145. 164As Big as the Ritz: The Mythology of the FitzgeraldsAdam Gopnik — September 22, 2014
  146. 165How 'Gatsby' Went From A Moldering Flop To A Great American NovelTerry Gross et al. — National Public Radio — September 8, 2014
  147. 166Gold and CocktailsMordaunt Hall — November 22, 1926
  148. 168Slow Fade: F. Scott Fitzgerald in HollywoodArthur Krystal — November 9, 2009
  149. 169Daisy Packs Her BagsZachary Leader — September 21, 2000
  150. 170An Affair of Youth: In Search of Flappers, Belles, and the First Grave of the FitzgeraldsBryant Mangum — Virginia Commonwealth University — Spring 2016
  151. 172Fitzgerald as Screenwriter: No Hollywood EndingCharles McGrath — April 22, 2004
  152. 174Metro's New PicturesAugust 29, 1920
  153. 175Gatsby, 35 Years LaterArthur Mizener — April 24, 1960
  154. 176Jersey Footlights: The Dark Side of ParadiseMargo Nash — May 29, 2005
  155. 177Not Wholly 'Lost'December 24, 1940
  156. 179Living on $500,000 a YearWilliam J. Quirk — September 1, 2009
  157. 18076 Years Later, Lost F. Scott Fitzgerald Story Sees The Light Of DayArun Rath et al. — National Public Radio — August 1, 2015
  158. 181Review: 'The Last Tycoon' on AmazonMaureen Ryan — July 26, 2017
  159. 182It's the Age of a Child Who Grows From a ManA. O. Scott — December 25, 2008
  160. 190Some Very Good MastersRichard Yates — April 19, 1981
  161. 191This Side of RockvillePerry Deane Young — January 14, 1979

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