— Ch. 1 · Medieval Folklore Origins —
Elves in Middle-earth.
~7 min read · Ch. 1 of 7
Jón Árnason's 1862 collection Íslenzkar þjóðsögur og æfintýri contains the core folklore that shaped J. R. R. Tolkien's elves. The introduction to this volume describes elves as the firstborn race who can marry humans yet lack an immortal soul. These stories from the 17th century onwards provided a framework for Tolkien's conception of his fictional people. Old English texts like Beowulf mention eotenas ond ylfe ond orcnéas, grouping giants and elves with demon-corpses. This stern view of non-human species influenced how Tolkien viewed his own creations. A Middle English source called South English Legendary from around 1250 describes elves dancing in secret paths by day and on high downs by night. These wretched spirits were taken out of Heaven but would come to rest at Doomsday. The medical condition elf-shot associated Neolithic flint arrowheads with internal injuries caused by elves. Tolkien used these hints to make his elves skilled archers while keeping them dangerous. An Icelandic woman could be described as frið sem álfkona meaning fair as an elf-woman. Anglo-Saxons might call a very fair woman ælfscýne meaning elf-beautiful. Beauty itself was considered dangerous in these old traditions. Time distortion in Elfland appears in traditional stories like Elvehøj where mortal visitors face danger. Tolkien incorporated all available evidence to create a many-layered impression of depth using both good and bad sides of popular story.
Evolutionary Development History
Tolkien developed his conception of elves over decades starting from early Victorian poetry influences. A production of J. M. Barrie's Peter Pan in Birmingham during 1910 influenced his later works alongside Catholic mystic poet Francis Thompson whom he acquired in 1914. His Book of Lost Tales written between 1917 and 1927 develops the theme that diminutive fairy-like Elves had once been great and mighty people who diminished themselves as Men took over the world. This theme shares similarities with Norse mythology's god-like Ljósálfar and medieval works like Sir Orfeo. The name Inwe or Ingwë given by Tolkien to the eldest of the elves resembles the god Ingwi-Freyr in Norse mythology who received the elf-world Álfheimr. Terry Gunnell finds the relationship between beautiful ships and the Elves reminiscent of the god Njörðr and Freyr's ship Skíðblaðnir. By 1937 when Tolkien wrote The Hobbit he included both serious medieval elves like Elrond and Thranduil alongside frivolous elves such as guards at Rivendell. That same year a publisher rejected his Silmarillion manuscript disparaging all eye-splitting Celtic names. Tolkien denied the names had Celtic origin though scholar Dimitra Fimi proposes these comments reflect his Anglophilia rather than textual influence. Some stories Tolkien wrote as elven history directly draw from Celtic mythology including Flight of The Noldoli based on Tuatha Dé Danann. Writing in 1954 during proofreading of The Lord of the Rings Tolkien claimed Sindarin had character very like British-Welsh because it fits Celtic type legends. He stated elves really represent men with greater artistic ability beauty and longer life span.