— Ch. 1 · Eight Companies On The Fringe —
Edinburgh Festival Fringe.
~5 min read · Ch. 1 of 6
In 1947, eight theatre companies arrived in Edinburgh without invitations to the inaugural Edinburgh International Festival. They could not use the city's major venues because those were reserved for the official festival. Instead, they took over smaller spaces like church halls and basements to perform their own productions. One group traveled twenty miles north to Dunfermline Abbey to present a version of Everyman. These groups called themselves the Festival Adjuncts or the semi-official festival. Their goal was simple: to take advantage of the crowds gathered for the main event and showcase alternative theatre. This moment created two defining features that would shape the future of the festival forever. There would be no official invitation to participate, and any venue large enough to hold an audience became fair game.
Robert Kemp Coins A Name
The term fringe did not exist until 1948 when Robert Kemp wrote about the unofficial gatherings during the second Edinburgh International Festival. He described how private enterprise seemed to flourish round the fringe of official drama. A critic had used the phrase on the fringe of the Festival earlier that year regarding a review of Everyman. By 1950, newspapers still referred to it with a small f as many praiseworthy extras appeared on the fringe of the official Festival. The word gained traction slowly through the early 1950s while late-night revues began to appear as a new feature. The New Drama Group presented After The Show in 1952 after Donald Pleasence's Ebb Tide ended. Talents like Ned Sherrin joined these revues by 1955. Ken Loach and Dudley Moore performed with the Oxford Theatre Group in 1958. Reviewers often attended events late at night after the official festival concluded, which cemented the association between the Fringe and late-night entertainment.