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Dryad

— CH. 1 · INTRODUCTION —

Dryad

Ch. 1 of 4
4 sections
  • Among the oak trees of ancient Greece lived the dryads, tree nymphs whose existence was woven into the natural world. The gods themselves defended them. Any mortal who harmed a tree without first propitiating its nymph risked divine punishment. The word dryad traces to Drys, the Greek term for oak, though in time the name covered tree nymphs of every species. Most were supernaturally long-lived. Among the many types, the hamadryads were bound to their trees in ways that went far beyond long life.

  • Atlanteia and Phoebe appear in ancient sources as two of the many wives of the king Danaus, and both were hamadryads. Each hamadryad was inextricably connected with a single tree, unable to survive if that tree was destroyed. Among the other named individuals are Chrysopeleia, Dryope, Erato, Eurydice, Phigalia, and Tithorea. The Daphnaiai were the nymphs of the laurel tree, a family with their own presence in the ancient sources. Among the types of dryads, the Meliae of the ash trees held a unique place. Their history reached back to the very first violence in the cosmos.

  • Hesiod's Theogony, one of the oldest surviving accounts of Greek cosmogony, gives the Meliae a violent origin. Gaia gave birth to them after being made fertile by the blood of the castrated Uranus. Their role in the mythological record, in contrast, was one of nurture. The Meliae sisters tended the infant Zeus in Rhea's Cretan cave. Centuries later, Keats would address the nightingale as "light-winged Dryad of the trees" in his "Ode to a Nightingale."

  • In the poetry of Donald Davidson, dryads illustrated the themes of tradition and the importance of the past to the present. C. S. Lewis brought dryads into his Chronicles of Narnia as full inhabitants of a secondary world. In Prince Caspian, the Telmarines' habit of felling trees and defiling streams forces the dryads and naiads of Old Narnia into a deep sleep. They awaken when Bacchus and Silenus are summoned by Aslan to aid in the fight against King Miraz's army. The naiads slept alongside the dryads in Lewis's telling, and both returned to life in the same moment.

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Common questions

What is a dryad in Greek mythology?

A dryad is a tree nymph from ancient Greek mythology, with the word tracing to Drys, the Greek term for oak. Most dryads were supernaturally long-lived. The name came to be used for tree nymphs of all kinds, not only those of the oak.

What is the difference between a dryad and a hamadryad?

A hamadryad was a type of dryad whose life was inextricably bound to a single tree, such that if the tree died, the hamadryad died with it. Other dryads were supernaturally long-lived but did not share this fatal bond with one individual tree.

Who were the Meliae dryads in Greek mythology?

The Meliae were the dryads of the ash tree. In Hesiod's Theogony, Gaia gave birth to the Meliae after being made fertile by the blood of the castrated Uranus. The Meliae sisters also tended the infant Zeus in Rhea's Cretan cave.

What happened to mortals who harmed a dryad's tree without propitiation?

Greek gods and the dryads themselves punished any mortal who harmed a tree without first propitiating the tree-nymphs. The stakes were highest for hamadryads, who could not survive the destruction of their tree.

How do dryads appear in C. S. Lewis's Chronicles of Narnia?

Dryads appear as full inhabitants of Narnia in C. S. Lewis's Chronicles of Narnia. In Prince Caspian, the Telmarines' felling of trees and defiling of streams forces the dryads and naiads of Old Narnia into a deep sleep, from which they awaken when Bacchus and Silenus are summoned by Aslan to fight King Miraz's army.

How did Keats use the dryad in his "Ode to a Nightingale"?

In his "Ode to a Nightingale," Keats addressed the nightingale as "light-winged Dryad of the trees," drawing on the figure of the Greek tree nymph.

All sources

3 references cited across the entry

  1. 1δρῦς, n.Clarendon Press — 1940
  2. 3JournalDryads and FlappersMartha E. Cook — University of North Carolina Press — 1979

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